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Museum of Fine Arts, Boston. The Daughters of Edward Darley Boit (originally titled Portraits d'enfants) [1] is a painting by the American artist John Singer Sargent. The painting depicts four young girls, the daughters of Edward Darley Boit, in their family's Paris apartment. It was painted in 1882 and is now exhibited in the new Art of the ...
- 222.5 cm × 222.5 cm (87.6 in × 87.6 in)
- John Singer Sargent
Apr 18, 2018 · John Singer Sargent's 1882 painting The Daughters of Edward Darley Boit is compelling and a bit mysterious. While reading Erica Hirshler's book about the painting, I learned that interpretations of the work have changed over time, and Sargent's contemporaries didn't read the same tone into it that we do.
The four Daughters of Edward Darley Boit are, from left to right: Mary Louisa (1874-1945, about 8 years old at the time), Flourennce (1868-1919, about 14 yrs old), Jane (1870-1955, about 12 yrs old), and Julia (1878-1969, about 4 yrs old). None of the girls ever married, and both Flourennce and Jane, the two rear daughters, became to some ...
Dec 6, 2023 · Another painting exhibited at the Paris Salon and designed to showcase Sargent’s talent was The Daughters of Edward Darley Boit, a commissioned life-sized group portrait of a wealthy Bostonian’s four daughters posed within the foyer of the family’s Parisian apartment.
The Daughters of Edward Darley Boit (also known as The Boit Sisters), depicts the four young Boit girls - Florence, Jane, Mary Louisa and Julia - in the foyer of their family's Paris apartment. It is currently displayed in the new Art of the Americas Wing of the MFA, Boston, where it is flanked by the two tall blue-and-white Japanese vases ...
Jan 12, 2014 · Sargent may have picked up on a discordant strain in the Boit family. Fourteen years after he painted the four girls, Edward Darley Boit announced he would marry the 20-year-old friend of one of his younger daughters. Their cousin Mary Boit then visited them in Paris just after the announcement.
The Daughters of Edward DarleyBoit shares some of Degas’s strategies: the asymmetrical composition with an almost empty center, the sense of disconnection between family members, and a feeling of modern life interrupted.
