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  1. A pair of 1705 by David Willaume, from the Fitzwilliam Collection, were exhibited London, Seaford House, Queen Charlotte's Loan Exhibition of Old Silver, 1929, no. 455 and a pair by Willaume made for Lord Strafford circa 1710 was sold Christie's, London, 23 May 1990, lot 230. Bertie Guest was born at Dowlais, near Merthyr Tydfil in South Wales.

  2. Shop authentic David Willaume I serveware, ceramics, silver and glass and decorative objects from top sellers around the world. Global shipping available. David Willaume I - 2 For Sale at 1stdibs

  3. antique-silver.com › artists › david-willaumeSANDA LIPTON ANTIQUE SILVER

    David Willaume I was one of the leading Huguenots in England at this time. He had the patronage of the wealthiest clients from the last part of William III to the end of George Is reign. His work was renowned for rich design and impeccable execution.

  4. A FINE QUEEN ANNE SILVER TANKARD MARK OF DAVID WILLAUME I, LONDON, 1702 Cylindrical, with gadrooned base, the stepped domed cover with a gadrooned rim and gadrooned knop finial, the finely modeled handle with acanthus leaf joins, with split scroll thumbpiece, the body engraved with a later coat-of-arms within a baroque cartouche, marked on body and cover bezel, the base engraved with ...

  5. Plate, silver, London hallmarks for Britannia standard, 1719-20, mark of David Willaume. Physical description Plate, silver, of plain circular form with a wide, flat rim.

  6. Ayme Videau (Vedeau), London silversmith, apprenticed to David Willaume 1723, free 1733/34. Livery 1746. His 1st mark was presumably made at the time of his freedom. 2nd mark 1739. A Huguenot maker known for high quality hollow ware with graceful flat chasing.

  7. Mar 22, 2024 · Today de Lamerie tops collectors’ lists, alongside Pierre Platel, David Willaume, Paul Crespin and Simon Pantin. Timo Koopman explains: ‘There is a fluidity of form and naturalism that exudes opulence, richness and at the same time a delicacy in contrast of depth and detail that naturally draws one to this period – auricular, asymmetrical lines and sheer beauty.’

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