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Roberto Rossellini ( Roma, 8 de maio de 1906 — Roma, 3 de junho de 1977) foi um diretor de cinema italiano. Foi um dos mais importantes cineastas do neo-realismo italiano, com contribuições ao movimento, com filmes como Roma, città aperta (br/pt: Roma, Cidade Aberta ), Paisà (br/pt: Libertação) e Germania anno zero (br/pt: Alemanha, Ano ...
Rome, Open City (1945) Not Rated | 103 min | Drama, Thriller, War. During the Nazi occupation of Rome in 1944, the Resistance leader, Giorgio Manfredi, is chased by the Nazis as he seeks refuge and a way to escape. Director: Roberto Rossellini | Stars: Anna Magnani, Aldo Fabrizi, Marcello Pagliero, Vito Annichiarico.
Mar 11, 2015 · More than thirty years after his death in 1977, Roberto Rossellini is remembered by your average film buff as the father of Italian neorealism (Rome, Open City, 1945; Paisan, 1946; Germany Year Zero, 1948) and of actress and model Isabella Rossellini, one of his three children with Ingrid Bergman, with whom he conducted a notorious affair before their seven-year marriage in the 1950s.
Roberto Rossellini az 1930-as években kezdett az olasz filmgyártásban dolgozni, elsősorban rövidfilmeket készített. Ebben az időszakban szinte kizárólag a fasiszta ideológiának megfelelő alkotásokat forgattak a Cinecittàban. Elsősorban hazafias filmek, az afrikai hadműveletekről szóló alkotások, történelmi filmek ...
Apr 9, 2018 · Given Roberto’s legacy in the industry (his mother is actress and model Isabella Rossellini, and grandmother, Casablanca’s Ingrid Bergman), one could say his unplanned intro to the modeling ...
Journey to Italy, also known as Voyage to Italy, [1] is a 1954 drama film directed by Roberto Rossellini. Ingrid Bergman and George Sanders play Katherine and Alex Joyce, a childless English married couple on a trip to Italy whose marriage is on the point of collapse until they are miraculously reconciled. The film was written by Rossellini and ...
Roberto Rossellini is one of the most influential filmmakers of all time. And it was with his trilogy of films made during and after World War II—Rome Open City, Paisan, and Germany Year Zero—that he left his first transformative mark on cinema. With their stripped-down aesthetic, largely nonprofessional casts, and unorthodox approaches to storytelling, these intensely emotional works were ...
