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  1. opera director. Luchino Visconti di Modrone, Count of Lonate Pozzolo ( Italian: [luˈkiːno viˈskonti di moˈdroːne]; 2 November 1906 – 17 March 1976) was an Italian filmmaker, theatre and opera director, and screenwriter. He was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with ...

  2. Luchino Visconti. Writer: The Leopard. Born in his ancestral palazzo, situated in the same Milanese square as both the opera house La Scala and the Milan Cathedral, Luchino Visconti (1906 - 1976) was raised under the auspices of aristocratic privilege, theater and Catholicism.

  3. Jun 7, 2018 · By A.O. Scott. June 7, 2018. Among the Italian filmmakers who achieved international prominence in the decades after World War II, Luchino Visconti possessed perhaps the sharpest historical ...

  4. Apr 15, 2024 · Luchino Visconti (born Nov. 2, 1906, Milan—died March 17, 1976, Rome) was an Italian motion-picture director whose realistic treatment of individuals caught in the conflicts of modern society contributed significantly to the post-World War II revolution in Italian filmmaking and earned him the title of father of Neorealism.

  5. May 6, 2024 · Simply, without Visconti, there is no Italian neorealism. The Milanese director and screenwriter remains one of the most essential individuals in the history of European cinema, known and loved for his fearless artistic quality amid the terrors of the fascist regime of Italy in the 1940s.

  6. May 23, 2018 · Visconti, Luchino (1906–76) Italian film director, b. Count Don Luchino Visconti di Modrone. His debut film, Ossessione (1942), was a pioneering work of Italian neo-realism. Other films include Senso (1953), Rocco and His Brothers (1960), The Leopard (1963), Death in Venice (1971), and Conversation Piece (1975).

  7. Luchino Visconti. Writer: The Leopard. Born in his ancestral palazzo, situated in the same Milanese square as both the opera house La Scala and the Milan Cathedral, Luchino Visconti (1906 - 1976) was raised under the auspices of aristocratic privilege, theater and Catholicism.

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