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  1. Apr 8, 1994 · Written and Directed by. Roman Polanski. The returns are in from Europe and the coasts, and the critics have found Roman Polanski's "Bitter Moon" an embarrassment: It is too melodramatic, too contrived, too overwrought, too overacted. Polanski has come unhinged. His portrait of a doomed marriage may be high porn but it is low art.

  2. Bitter Moon is half-digested and grossly undramatised, a loop-tape of explanations and voiceover; the longer it goes on, the more it drains our interest away. Full Review | Jan 4, 2018.

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  4. Jun 3, 2003 · Bitter Moon veers erratically from salacious erotica to black comedy to clumsy psychodrama, but individual scenes have a definite punch. Coyote chews the scenery with glee, Seigner (Polanski's wife, adding a hint of lurid autobiography) flounders moodily, and Grant seems miscast, but Scott Thomas gives the movie some actual dignity.

  5. Academy Award-winning director Roman Polanski explores the sexy side of obsession and the wild side of romance in this outrageous look at the dark side of love. Starring Hugh Grant (About A Boy, Bridget Jones's Diary), Peter Coyote, Emmanuelle Seigner and Kristin Scott Thomas. A mild-mannered man (Hugh Grant) attempts to rekindle the sexual fire in his marriage while on a vacation cruise. The ...

    • 139 min
  6. Academy Award-winning director Roman Polanski explores the sexy side of obsession and the wild side of romance in this outrageous look at the dark side of love. Starring Hugh Grant (About A Boy, Bridget Jones's Diary), Peter Coyote, Emmanuelle Seigner and Kristin Scott Thomas. A mild-mannered man (Hugh Grant) attempts to rekindle the sexual fire in his marriage while on a vacation cruise. The ...

  7. www.metacritic.com › movie › bitter-moonBitter Moon - Metacritic

    Mar 18, 1994 · Bitter Moon would be a camp classic if it weren't so dispiriting watching Roman Polanski cannibalize and then finally parody himself into narrative and artistic collapse. The film's big problem is that it's so totally devoid of the sexual energy it needs to traverse the gantlet of perversity through which Polanski sends it. [15 Apr 1994, p.94]

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