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Sep 19, 2021 · Directed by Ted Post, Hang 'Em High is a 1968 American revisionist Western film starring Eastwood as Jed Cooper, an man who survives and escapes a lynching he didn't deserve. Subsequently hired by local lawmen as a federal marshal, Jed is granted a new lease on life, albeit with one caveat: he can't seek revenge against those who attempted to ...
May 11, 2024 · Distributor: United Artists. Hang 'Em High is a different kind of Western film involving Clint Eastwood. Unlike some of his other movies where he is nigh untouchable, Eastwood's character in Hang ...
Sep 17, 2021 · Cry Macho: Directed by Clint Eastwood. With Clint Eastwood, Dwight Yoakam, Daniel V. Graulau, Amber Lynn Ashley. A one-time rodeo star and washed-up horse breeder takes a job to bring a man's young son home and away from his alcoholic mom.
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May 3, 2024 · Eastwood Directed Four Western Movies. While Clint Eastwood started his career in acting, he is possibly just as famous as a director now, even directing a number of movies in which he did not even appear in, such as Bird, Mystic River, and Letters from Iwo Jima. He was also a prolific director of Western movies, which is not surprising given ...
Jul 4, 2022 · A list of every movie directed by Clint Eastwood. Image: ©Universal Pictures . As noted above, in addition to his extensive acting career, Clint Eastwood has also directed almost 40 motion pictures, beginning with 1971’s Play Misty for Me. His work behind the camera has received much acclaim, and includes: Play Misty for Me (1971)
3 days ago · Gran Torino (2008)81%. #9. Critics Consensus: Though a minor entry in Eastwood's body of work, Gran Torino is nevertheless a humorous, touching, and intriguing old-school parable. Synopsis: Retired auto worker and Korean War vet Walt Kowalski (Clint Eastwood) fills emptiness in his life with beer and home...
Apr 25, 2021 · Eastwood’s experience in the western as an actor, director, and also as a spectator (having been brought up in an era when the western was the most popular type of movie) gives him an understanding of the genre’s conventions (visual, narrative and thematic) that is only rivaled by film historians and the most hardcore cinephiles.
