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  1. Oct 11, 2017 · Loading image... 10. Brahms’ Piano Concerto no. 2 in B flat major / Beethoven’s Piano Concerto no. 1 in C major. Both scrabbling to get into the list, the tenth most popular piano concerto is a draw between Brahms’ Second and Beethoven’s First – spanning two ends of the Romantic scale. First written in 1795 and revised in 1800 ...

  2. Piano Concerto No. 24 in C minor With 27 to his name, it's a bit tricky to isolate one piano concerto to start with, but no. 24 is as good a place as any. It's got a slightly weird and squirmy-sounding opening, which actually makes all the exuberant piano melodies sound even more exciting — and the second movement has some really dense ...

  3. Jan 23, 2019 · Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play): https://brilliant-classics.lnk.to/MendelssohnPianoPhysical Purchase...

    • 52 min
    • 70.1K
    • Brilliant Classics
  4. Naxos 8.110638-40. Beethoven composed several concertos during his teens – the piano score of a complete concerto in E flat dating from 1784 is the only one to have survived. But it is the five piano concertos he wrote between 1795 and 1809 that have been beloved by pianists and audiences alike for over 200 years.

  5. Apr 23, 2022 · Here are some of the very best, an... No pianist worthy of a career can afford to ignore this iconic work, but relatively few have made something special of it. Here are some of the very best, an...

    • 30 min
    • 14.9K
    • The Ultimate Classical Music Guide by Dave Hurwitz
  6. Mozart’s piano concertos are celebrated for their beauty, complexity, and compositional brilliance. Hence, they are still as popular as they ever were. In no particular order, here are some of the best Mozart piano concertos. Each with unique qualities that make it exceptional. 1. Piano Concerto No. 20 in D Minor, K. 466

  7. Feb 10, 2022 · Jeremy Nicholas. Thursday, February 10, 2022. Grieg’s Piano Concerto has been tackled by many great pianists, but not all of them strike the right balance between refined pianism and Lisztian zest. Jeremy Nicholas surveys recordings spanning a century.

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