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More American Graffiti is a 1979 American coming-of-age comedy film written and directed by Bill L. Norton, produced by Howard Kazanjian. The film, shot in multiple aspect ratios for comedic and dramatic emphasis, is the sequel to the 1973 film American Graffiti.
More American Graffiti (1979) cast and crew credits, including actors, actresses, directors, writers and more.
In Theaters At Home TV Shows. This sequel to the nostalgic film by George Lucas revisits characters from the earlier movie, most notably nice guy Steve Bolander (Ron Howard), who has gone on to...
- (10)
- Comedy, Drama
- PG
More American Graffiti: Directed by Bill Norton. With Candy Clark, Bo Hopkins, Ron Howard, Paul Le Mat. Told in four different New Year's Eves in the mid 1960s, John, Terry, Debbie, Steve and Laurie deal with adulthood, the Vietnam war, peace rallies, and relationships.
Ron Howard, Cindy Williams, Charles Martin Smith and Paul Le Mat return in this laugh-filled follow-up look into the lives of the gang from George Lucas' original coming-of-age classic, American...
In 1965, when Terry and Joe's chopper is shot down behind enemy lines and Joe ends up dead from a sniper's bullet to his chest, Terry and the pilot Sinclair, are rescued, but Terry becomes alienated with Major Creech who downplays the events to please the visiting Senator.
Brief Synopsis. Williams and Howard, now married, are swept up in the anti-war protest movement; LeMat tries to make it as a professional drag racer and woos attractive Swede Bjorn; Clark and Phillips have joined the flower-power scene in San Francisco and are traveling with a band led by Glenn. Smith and Hopkins, meanwhile, are overseas...
College graduates deal with Vietnam and other issues of the late '60s.
More American Graffiti is a 1979 American comedy-drama film written and directed by Bill L. Norton. It is the sequel to the 1973 film American Graffiti. Whereas the first film followed a group of friends during the summer evening before they set off for college, this film shows where the characters from the first film end up a few years later.
More American Graffiti suffers from a terminal case of the cutes. Made with the approval of George Lucas, the director of American Graffiti, and perhaps with his misbegotten collusion, More American Graffiti succeeds in making a blithe mockery of its predecessor.
