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  1. Jan 25, 2021 · Born in Florence around 1444–45, Alessandro di Mariano di Vanni Filipepi, also known as Sandro Botticelli, came from humble beginnings. His father was a tanner who placed a young Sandro under ...

  2. Feb 25, 2022 · Sandro Botticelli, a Florentine artist, was perhaps the best humanist artist of the Early Renaissance, despite the fact that much of his background and influences are still unknown to us today. Botticelli’s artworks symbolize the peak of the Medici’s intellectual affluence in Florence, an affluent society that fostered the advancement of ...

  3. Sandro Botticelli. Alessandro di Mariano di Vanni Filipepi ou Sandro Botticelli ( Florença, 1º de março de 1445 – 17 de maio de 1510 ), foi um pintor italiano. Assim como um de seus irmãos, havia sido apelidado de "botticelli", que significa em italiano "pequeno tonel", o epíteto substitui o "es panucam" sobrenome de família, passando a ...

  4. Sandro Botticelli, tikr. Alessandro di Mariano Filipepi, 1445 m. kovo 1 – 1510 m. gegužės 17 d.) – italų ankstyvojo renesanso Florencijos dailės mokyklos tapytojas. Sandras Botičelis garsus vienais žymiausių paveikslų meno istorijoje: „ Pavasaris “ (arba „ Primavera “, 1482) ir „ Veneros gimimas “ (1485, abu Uficių ...

  5. 115.2 × 70 cm. Ajaccio, Musée Fesch. Virgin and Child with an Angel. 1465–1467. Tempera on panel. 87 × 60 cm. Florence, Ospedale degli Innocenti. The Virgin and Child with Two Angels and the Young St. John the Baptist. 1465–1470.

  6. Sandro Botticelli - Renaissance, Paintings, Masterpieces: An incipient mannerism appears in Botticelli’s late works of the 1480s and in works such as the magnificent Cestello Annunciation (1490) and the small Pietà (late 1490s) now in the Poldi-Pezzoli Museum. After the early 1490s his style changed markedly; the paintings are smaller in scale, the figures in them are now slender to the ...

  7. Sandro Botticelli, orig. Alessandro di Mariano Filipepi, (born 1445, Florence—died May 17, 1510, Florence [Italy]), Italian Renaissance painter. As a youth he may have been apprenticed to a goldsmith, and he later trained with Fra Filippo Lippi in Florence. By 1470 he had developed a distinctive style and was established as a master.

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