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Synopsis. As publicity for the exhibit Miró L’altre, organized by the Colegio de Arquitectos de Catalunya in 1969, the Board commissioned Pere Portabella to film Miró painting the “poster” for the exhibit on the ground floor windows of the building.
Para promover a exposição “Miró L’altre”, organizado pelo Colegio de Arquitectos de Cataluña em 1969, Pere Portabella foi convidado a filmar Miró pintando o cartaz do evento nas janelas do andar térreo.
As publicity for the exhibit Miró L’altre, organized by the Colegio de Arquitectos de Catalunya in 1969, the Board commissioned Pere Portabella to film Miró painting the “poster” for the exhibit on the ground floor windows of the building. Portabella was not interested in simply filming a testimonial documentary.
Miró, l'altre: Directed by Pere Portabella. With Joan Miró. As publicity for the exhibit Miró L’altre, organized by the Colegio de Arquitectos de Catalunya in 1969, the Board commissioned Pere Portabella to film Miró painting the “poster” for the exhibit on the ground floor windows of the building.
As publicity for the exhibit Miró L’altre, organized by the Colegio de Arquitectos de Catalunya in 1969, the Board commissioned Pere Portabella to fil…
Miró l’altre. In Pere Portabella’s short Lectura Brossa (03), avant-garde Catalan poet Joan Brossa describes himself as an “inventor of strategies” and an “unsubmissive opponent of official culture”—two definitions that also well describe the role assumed by Portabella in the bosom of Spanish cinema. And if we’re talking about ...
Joan Miró accepted the idea without a doubt. The complicity between the film maker and the painter is evident in the filming. As publicity for the exhibit Miró L’altre, organized by the Colegio de Arquitectos de Catalunya in 1969, the Board commissioned Pere Portabella to film Miró painting the “poster” for the exhibit on…
