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Georges Pierre Seurat (UK: / ˈ s ɜːr ɑː,-ə / SUR-ah, -ə, US: / s ʊ ˈ r ɑː / suu-RAH, French: [ʒɔʁʒ pjɛʁ sœʁa]; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist.
May 14, 2024 · Georges Seurat was a painter and founder of the 19th-century school of Neo-Impressionism whose technique for portraying the play of light using tiny brushstrokes of contrasting colors became known as Pointillism.
Georges Seurat. Inspired by recently published research in optical and color theory, Georges Seurat distinguished his art from what the Impressionists considered a more intuitive painting approach by developing his own “scientific” style called Pointillism.
Georges Seurat is chiefly remembered as the pioneer of the Neo-Impressionist technique commonly known as Pointillism, or Divisionism, an approach associated with a softly flickering surface of small dots or strokes of color.
Apr 2, 2014 · Artist Georges Seurat is best known for originating the Pointillist method of painting, using small dot-like strokes of color in works such as "A Sunday on La Grande Jatte."
Georges-Pierre Seurat (French: [ʒɔʁʒ pjɛʁ sœʁa]; 2 December 1859 – 29 March 1891) was a French post-Impressionist painter and draftsman. He is noted for his innovative use of drawing media and for devising the painting techniques known as chromoluminarism and pointillism.
Georges Seurat. Seurat is considered one of the most important Post-Impressionist painters. He moved away from the apparent spontaneity and rapidity of Impressionism and developed a structured, more monumental art to depict modern urban life. 'Bathers at Asnières' is an important transitional work.
Led by the example of Georges Seurat, artists of the Neo-Impressionist circle renounced the random spontaneity of Impressionism in favor of a measured painting technique grounded in science and the study of optics.
Georges Pierre Seurat (UK: SUR-ah, -ə, US: suu-RAH, French: [ʒɔʁʒ pjɛʁ sœʁa]; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface.
This is Seurat’s first nocturnal painting and the first to depict popular entertainment. It represents the parade, or sideshow, of the Circus Corvi at the annual Gingerbread Fair, held in eastern Paris around the place de la Nation, in spring 1887.
