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  1. Tristan Tzara (born Samuel Rosenstock, 1896–1963) was a Romanian and French avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he is known as one of the founders and central figures of the Dada movement.

  2. TZARA, TRISTAN (1896–1963) Romanian-born French poet and essayist. Tristan Tzara was a highly significant, and at times unrecognized, figure in twentieth-century culture. As a creator, chronicler, and critic, he wrote prolifically all his life. By the time of his death, he left behind numerous volumes of poetry, plays, essays on art and ...

  3. Dec 8, 2015 · Tristan Tzara: el hombre aproximativo. Poeta, escritor de arte y coleccionista. Desde el 24 de septiembre hasta el 17 de enero de 2016. Museo de Arte Moderno y Contemporáneo de Estrasburgo (Francia).

  4. Tristan Tzara, born in Romania in 1896, is best known as a poet and cofounder of the Dada movement. After moving from Zurich to Paris in 1919, Tzara wrote in French and worked as a journalist, playwright, art critic and collector, literary scholar, and human rights advocate, publishing more than fifty collections of poetry and prose before his death in 1963.

  5. Nov 21, 2023 · Tristan Tzara (1896-1963) was a European poet, essayist, and artist credited with founding the Dada movement. Dadaism, founded in Zurich by Tzara and others, was an artistic response to WWI and a ...

  6. TRISTAN TZARA La magia de una palabra —DADA—, que ha puesto a los periodistas ante la puerta de un mundo imprevisto, no tiene para nosotros ninguna importancia. Para lanzar un manifiesto es necesario: A, B, C. irritarse y aguzar las alas para conquistar y propagar muchos pequeños y

  7. Dec 6, 2023 · Tristan Tzara, “Manifeste Dada,” 1918 [1] The righteous zeal of manifestos repels Tzara, as does the way manifestos seek to impose a course of action on others. “To impose your A. B. C. is a natural thing — hence deplorable,” he insists, rather oddly, since we are used to thinking of what is “natural” as good, not deplorable.

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