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  1. Music for dance is a realm of passion for Graham, resulting from the life-long influence of several of the Diaghilev commissioned ballets; works that lived beyond their initial intent but continue to tell a story. A non-exhaustive list of Graham’s credits in the realm of dance:

  2. In 2008, Golden Hornet received official 501(c)3 designation and has since grown in capacity, as well as become more clarified in mission: one of commissioning new music, fostering young and emerging composers, and presenting adventurous works in non-traditional settings. Graham continues as Golden Hornet’s Artistic Director today.

  3. scoring for theatre. Much in the same way as his collaborations in dance, Graham has narrowed in on two consistent key partners in theatre. While his presence in theatre started with lights in high school, and expanded into various work throughout Austin, his first collaboration with Rude Mechanicals (Rude Mechs) was In The House of Moles (2000), a relationship which blossomed into his current ...

  4. Studio — Graham Reynolds ... Back

  5. Jan 1, 2024 · Graham Reynolds (Re-imaginer of Hitchcock’s The Lodger, also on Fire Records, co-worker on The Sound Of Science and the composer of choice for acclaimed film director Richard Linklater) met Marta Del Grandi (a jazz pupil at the Conservatorio G Verdi in Milan, who matured into an ethereal, explorer of exotic and folk-tinged sounds with a nod ...

  6. Graham Reynolds Bio/Wiki, Net Worth, Married 2018. Graham Reynolds Austin, Texas based, Composer-bandleader Graham Reynolds creates, performs, and records music for film, theater, dance, rock clubs and concert halls with collaborators ranging from Richard Linklater to DJ Spooky to the Austin Symphony Orchestra.

  7. Graham composed the original score behind both seasons of Day 5, Rooster Teeth’s first dramatic series, set in the immediate aftermath of a fatal sleep epidemic. After a fortuitous drug bender saves his life, addict Jake (Jesse C. Boyd) ventures out into the quiet streets, unaware that most of the world already died in their beds.

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