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Habanera (aria) Habanera ("music or dance of Havana ") is the popular name for " L'amour est un oiseau rebelle " ( French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet 's 1875 opéra comique Carmen. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of ...
Tosca. 1899 poster. Tosca is an Italian opera in three acts by Giacomo Puccini. It was first performed in Rome on January 14, 1900. The libretto was written by Giuseppe Giacosa and Luigi Illica. It was based on Victorien Sardou's play La Tosca. Tosca was a great success.
Her family were amateur singers, and encouraged her talent. After being refused the opportunity to study music at a Moscow university, she gained a place on the Jette Parker Young Artists Programme at the Royal Opera House in London. Career. On New Year's Eve 2023, Akhmetshina appeared in the title role in Carmen at the Metropolitan Opera.
The song is an adaptation of the aria L'amour est un oiseau rebelle (Love is a rebellious bird – more commonly known in English as Habanera), from the opera Carmen by French composer Georges Bizet. The song addresses the theme of alienation through social networks. Music video. The animated video was drawn by Sylvain Chomet.
This is Opera is a Spanish television documentary series created and directed by Ramon Gener. [4] The show explores opera in unconventional ways to try to attract not just existing opera fans, but also those less familiar with the art form. [5] The host guides the viewer to the places of origin of each opera, and explores the culture, history ...
Carmen Monarcha. Carmen Monarcha (born August 27, 1979 in Belém, Pará) is a Brazilian soprano. [1] [2] Born into an artistic family in northern Brazil, her father is a writer and her mother, Marina Monarcha, a renowned Brazilian singer. She learned from a young age to play the cello and the piano and at first trained to be a concert cellist.
María del Carmen. María del Carmen is an opera in three acts composed by Enrique Granados to a Spanish libretto by José Feliú i Codina based on his 1896 play of the same name. It was Granados's first operatic success and, although it is largely forgotten today, he considered it to be his best opera. [1]
