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  1. Malvolio is in a very dark room. 5. The two sources of light in the room are bay windows and clerestories. 6. Malvolio perceives himself as a wronged man. 7. Malvolio requests a candle, pen, ink ...

  2. Oct 8, 2019 · Nevertheless, let’s try to analyse some of Twelfth Night ’s most salient themes and features. Plot summary of Twelfth Night. Act 1. The play opens with the Duke of Illyria, Orsino, pining away with love for Olivia, a countess whose father died a year ago and whose brother has recently died. Olivia has vowed to shut herself away from society ...

  3. ♦ Other Characters (Analysis) 11. 12. Twelfth Night: Principal Topics Twelfth Night: Essays ♦ Worm i'the bud: The Games of Love in Twelfth Night ♦ Feste and Fabian: Plots and Complots ♦ Present Me As An Eunuch: Female Identity in Twelfth Night ♦ Chaos and Order in Twelfth Night ♦ The Image and Metaphor of "Drowning" in Twelfth Night 13.

  4. The protagonist of Twelfth Night. An aristocratic woman, she is tossed up on the coast of Illyria by a shipwreck at the beginning of the play and disguises herself as the pageboy, Cesario, to make her way. Throughout the play, Viola exhibits strength of character, quick wit, and resourcefulness. Although her disguise puts her in an impossible ...

  5. Captain. The steward in charge of the servants at Olivia's house. A stuck-up killjoy, Malvolio annoys the other members of the household by constantly condescending to and scolding them. In revenge, Maria, Sir Toby, and others play a prank on Malvolio that adds comic relief to Twelfth Night, but also reveals Malvolio's ambition, arrogance, and ...

  6. Act 1, scene 2. Themes and Colors Key. Summary. Analysis. Duke Orsino lounges in his palace in Illyria, alternately praising and lamenting the nature of love. First, he asks his attendants to serenade him with music. Then, he makes them stop. Love, he says, like the ocean, consumes whatever is cast into it.

  7. Explanation and Analysis: In most Shakespeare plays, characters of high social status speak in blank verse (i.e. unrhymed iambic pentameter), while peasants and servants speak in prose. This rule doesn't completely apply to Twelfth Night. Sir Toby Belch and Sir Andrew Aguecheek are both noblemen, but they speak almost entirely in prose and ...