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  1. Jul 31, 2015 · Entire Play Twelfth Night—an allusion to the night of festivity preceding the Christian celebration of the Epiphany—combines love, confusion, mistaken identities, and joyful discovery.After the twins Sebastian and Viola survive a shipwreck, neither knows that the other is alive. Viola goes into service with Count Orsino of Illyria ...

  2. Twelfth Night - Shakespeare - Free Online Critical Edition. Free E-Text - .pdf file: [ Download Link] Version DL22.02.77a NB: All plays are submitted to a permanent updating process in order to provide you with an entirely new consideration of all of Shakespeare's works, edited from first principles from the base-texts themselves, and drawing on the latest textual and theatrical scholarship.

  3. All Acts and Scenes are listed on the Twelfth Night text page, or linked to from the bottom of this page. ACT 5. SCENE 1. Before OLIVIA’s house. Enter Clown and FABIAN. FABIAN. Now, as thou lovest me, let me see his letter. Clown. Good Master Fabian, grant me another request.

  4. Full Play Analysis. Twelfth Night is a play about desire’s power to override conventions of class, religion, and even gender. Several characters begin the play believing they want one thing, only to have love teach them they actually want something else. Orsino thinks he wants Olivia, until he falls in love with Viola (dressed as Cesario.)

  5. Sebastian. By your patience, no. My stars shine darkly over. me: the malignancy of my fate might perhaps. distemper yours; therefore I shall crave of you your 615. leave that I may bear my evils alone: it were a bad. recompense for your love, to lay any of them on you. Sebastian.

  6. You can buy the Arden text of this play from the Amazon.com online bookstore: Twelfth Night (The Arden Shakespeare. Third Series) Entire play in one page. Act 1, Scene 1: DUKE ORSINO's palace. Act 1, Scene 2: The sea-coast. Act 1, Scene 3: OLIVIA'S house. Act 1, Scene 4: DUKE ORSINO's palace. Act 1, Scene 5: OLIVIA'S house. Act 2, Scene 1: The ...

  7. The objects of desire, the play implies, are in some senses interchangeable, so that Sebastian can easily take the place of Cesario, Viola of Olivia. Love itself invests the object with value. As a love story Twelfth Night is remarkably unsentimental about the romances it depicts with such sympathy.

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