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  1. The Marriage of Figaro (Italian: Le nozze di Figaro, pronounced [le ˈnɔttse di ˈfiːɡaro] ⓘ), K. 492, is a commedia per musica (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte.

  2. The Marriage of Figaro, comic opera in four acts by Austrian composer Wolfgang Amadeus Mozart (Italian libretto by Lorenzo Da Ponte), which premiered in Vienna at the Burgtheater on May 1, 1786.

  3. A guide to Mozart's masterpiece, The Marriage of Figaro (Le nozze di Figaro). Including Synopsis, Music & Arias, Fun Facts, Running Time and much more!

  4. Aug 5, 2012 · Luciano Pavarotti - FigaroFYI: It was my mistake to write wrong artist's name in title, in fact this opera was performed by Sherrill Milnes not by Pavarotti ...

  5. Jun 16, 2022 · Widely considered one of the greatest opera’s ever written, The Marriage of Figaro (Italian: Le Nozze di Figaro) was the first of three world-renown opera’s collaborated on by composer Wolfgang Amadeus Mozart and Librettist Lorenzo Da Ponte.

  6. Composed in 1786, Mozart's classic opera has all the ingredients of a modern rom com: love, revenge and deception. Watch courtship turn to chaos for two servants, Figaro and Susanna, as their...

  7. From the first notes of the famous overture through to the Count’s lesson in marital fidelity, Mozarts musical invention conveys a story in which the women are portrayed as wiser, shrewder and more civilised than the men. Book.

  8. All about The Marriage of Figaro by Mozart, and why this scintillating comedy may be the best opera of all time.

  9. Overview. Conductor Joana Mallwitz makes her Met debut leading two extraordinary casts in Mozarts comic masterpiece. Bass-baritones Michael Sumuel and Luca Pisaroni star as the clever valet Figaro, opposite sopranos Olga Kulchynska and Rosa Feola as his betrothed, the wily maid Susanna.

  10. The Marriage of Figaro Synopsis. Act I. Figaro, servant to Count Almaviva, is about to marry Susanna, the Countess’s maid. He measures a room for a bed, but Susanna is concerned that the room is too close to the Count’s chamber. She explains to Figaro that Almaviva is pursuing her.

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