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Feb 16, 2018 · Born Feb. 4, 1918, Ida Lupino would have been a good fit for 2018. Describing herself as “the poor man’s Bette Davis,” the actress turned down roles she didn’t want and spent the ...
Jun 12, 2018 · After the success of "High Sierra" Lupino transitioned to “The Sea Wolf,” a feature that retained her ability to play average women seeking companionship, domesticity, and normality, but are hindered by bad reputations. Ida’s Ruth Brewster in “The Sea Wolf” is similar to Marie. Each is hindered by bad life decisions in their past, but ...
Jan 28, 2019 · Ida Lupino’s bold, subversive films tackled social issues and still seem fresh almost 70 years later, writes Caryn James. In a daring, brilliantly executed scene in Ida Lupino’s Outrage (1950 ...
—Ida Lupino in a 1945 fan magazine interview. In a heartfelt 1995 New York Times tribute to Ida Lupino (1918–95), Martin Scorsese called her “a woman of extraordinary talents, and one of those talents was directing. Her tough, glowingly emotional work as an actress is well remembered, but her considerable accomplishments as a filmmaker ...
Dec 31, 1995 · I NEVER MET IDA LUPINO, but I always wanted to. Her tough, emotional acting is well remembered, but her considerable accomplishments as a film maker are largely forgotten. She was a true pioneer ...
Feb 2, 2018 · Born in Herne Hill, London, 100 years ago, Ida Lupino was virtually predestined to answer the calling of stage and screen. Part of an acting dynasty that could be traced back hundreds of years, she made her big-screen break courtesy of director Allan Dwan, who cast the 14-year-old actress in his 1932 film, Her First Affaire, made at Warner Bros’ British studios at Teddington.
Pillow To Post (1945) -- (Movie Clip) Watcha Say? (Louis Armstrong) Ida Lupino as sales-gal Jean is juggling William Prince as soldier Don, posing as her husband so she could get military housing, and Johnny Mitchell as client Slim, who wanted a dinner date, while Louis Armstrong leads his band with Dorothy Dandridge singing a tune by Burton Lane and Ted Koehler, in Pillow To Post, 1945.
