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"Miyazaki-san and Takahata-san are outrageously energetic. I can't take my eyes off them."[1]Mamoru OshiiMamoru Oshii (押井 守 , Oshii Mamoru, born 8 August 1951) is a Japanese filmmaker, television director, university professor, mangaka and writer. Famous for his philosophy-oriented storytelling, Oshii has directed a number of acclaimed anime films, including Urusei Yatsura 2: Beautiful ...
押井守 公式アカウント (@oshii_mamoru) - X（旧Twitter） 押井守の「世界の半分を怒らせる」。 - ウェイバックマシン（2013年3月14日アーカイブ分） -ニコニコ公式ブロマガ 押井守メールマガジン (@oshimaga) - X（旧Twitter） 押井守公式サイト ou（インターネット ...
Jul 26, 2004 · Oshii, Mamoru. b. August 8, 1951, Tokyo, Japan. In recent years, Japanese anime and manga have broken through the perceived cultural barrier separating “East” and “West”, developing into a billion dollar industry and transforming the popular image of Japan in the process. Yet while the Japan presented in mainstream anime and manga is a ...
May 16, 2023 · Mamoru Oshii. Photo: Niccolò Caranti ( CC BY-SA 4.0 ) Through deeply philosophical questions, brilliant character design and fluidly-animated action sequences, Ghost in the Shell has become ...
Mamoru Oshii Plays Fallout 4, Makes His Fan Newsletter Late (May 4, 2017) Director Oshii Interested in a Hollywood Patlabor Comedy Remake 'Like Ghostbusters ' (Mar 23, 2017) Interviews: Director ...
Mamoru Oshii. Director: Ghost in the Shell. Mamoru Oshii is a Japanese filmmaker, television director and screenwriter. Famous for his philosophy-oriented storytelling, Oshii has directed a number of popular anime, including Urusei Yatsura (1981-1984), Angel's Egg (1985), Patlabor: The Movie (1989), Ghost in the Shell (1995), and Ghost in the Shell 2: Innocence (2004).
May 18, 2021 · Manga/AnimePeter ObradovicMay 18, 2021mamoru oshii, ghost in the shell. The medium of anime is one of expansive possibility; the first weapon of choice by some of the most acclaimed names in all of cinema. Satoshi Kon, known for the mind-bending Perfect Blue, and Katsuhiro Otomo, the mastermind behind Akira, are two prominent purveyors of the ...
