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Synopsis. The maddest love that ever possessed a woman. When Dr. Anthony Edwardes arrives at a Vermont mental hospital to replace the outgoing hospital director, Dr. Constance Peterson, a psychoanalyst, discovers Edwardes is actually an impostor. The man confesses that the real Dr. Edwardes is dead and fears he may have killed him, but cannot ...
Spellbound (1945) directed by Alfred Hitchcock is a genius film on psychoanalysis. It revolves around the head of the Green Manors mental asylum Dr. Murchison, who is retiring to be replaced by Dr. Edwardes, a famous psychiatrist. Edwardes arrives and is immediately attracted to the beautiful but cold Dr. Constance Petersen.
Spellbound. 78 Metascore. 1945. 1 hr 51 mins. Drama, Suspense. NR. Watchlist. Director Alfred Hitchcock's case of mind over murder centers on a psychiatrist trying to help an amnesiac who may be a ...
Other articles where Spellbound is discussed: Alfred Hitchcock: The Hollywood years: Rebecca to Dial M for Murder: …returned to Hollywood to make Spellbound (1945). A psychological (and psychiatric) mystery adapted by Ben Hecht from a Francis Beeding novel, it starred Ingrid Bergman as an analyst who finds herself falling in love with the new director of the asylum (Gregory Peck), whom she ...
Jan 15, 2014 · Spellbound (1945) Spellbound is one of several psychological thrillers produced in the 1940s when psychoanalysis was all the rage. Freudian dream interpretation, guilt complexes, and the miraculous power of psychoanalysis (it can even solve murders!) take center stage in this film. Producer David O. Selznick had apparently enjoyed a highly ...
Spellbound is a film directed by Alfred Hitchcock with Ingrid Bergman, Gregory Peck, Michael Chekhov, Leo G. Carroll .... Year: 1945. Original title: Spellbound. Synopsis: Dr. Anthony Edwardes, sent to replace Dr. Murchison as head of Green Manors mental hospital, is an impostor. When Murchinson calls the police, Edwardes leaves, followed by Dr ...
In addition, noir films like Spellbound, High Wall (1947) and Whirlpool (1949) indicate a reckoning with female roles, most particularly in the arrival of the female psychoanalyst — Dr. Constance Petersen played by Ingrid Bergman in Spellbound (1945) — especially since she is deglamourised with her glasses and plain scientific lab coat.
