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The Friends of Chamber Music opens its Master Pianists Series with the duo of Christina and Michelle Naughton. Their ensemble has been hailed as “downright idyllic spontaneity” (Rheinische Post) and in their playing “the textures shimmer like pure gold in bright light, dancing in every conceivable rhythm.
Rachel Barton Pine, violin & Matthew Hagle, piano. 2021-22 Not So Classic Series. Monday, November 15 • 7:30 pm. Lincoln Performance Hall. Learn More. IMPORTANT INFORMATION: This concert will now take place in LINCOLN PERFORMANCE HALL, not in The Old Church!
Pricing for individual concerts varies from $50 to $65. Tickets for patrons 30-years-old or younger are always $15.00. Students (with I.D) are $5. Advance single tickets are available only through the Newman Center. Tickets can be ordered via phone, online, or walk-up ordering. Additional fees apply for all transactions, with the exception of ...
Apr 27, 2023 · FCM Announces its 70th Anniversary Season! Apr 27, 2023. For nearly 70 years, Friends of Chamber Music has presented some of the greatest artists in the world, including Yo-Yo Ma, the Emerson String Quartet, and pianist Yuja Wang. This season reflects a vast array of talent in performers, composers, and repertoire, including artists new to FCM.
Friends of Chamber Music, a non-profit organization, is dedicated to presenting the highest quality chamber ensembles in concert, and providing educational outreach to further chamber music in our community.
Jun 2, 2024 · Friends of Chamber Music has compiled a spectacular 70th season of artists of distinction playing diverse chamber music repertoire. The 2023-24 series will feature artists new to our series, including the Isidore Quartet, Sphinx Virtuosi, and pianists Michelle Cann and Beatrice Rana, as well as returning musicians such as pianist Jeremy Denk, the Jerusalem Quartet, and pianist Jean-Yves ...
The Friends of Chamber Music opens its Master Pianists Series with the duo of Christina and Michelle Naughton. Their ensemble has been hailed as “downright idyllic spontaneity” (Rheinische Post) and in their playing “the textures shimmer like pure gold in bright light, dancing in every conceivable rhythm.
