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  1. Abu-Assad said of this scene: “The scene catches the heart of the film's idea by simultaneously breaking down the martyrdom-heroism as well as the monster-evil and making it human. And humans are often quite banal, but also funny and emotional. In real life there often is comedy in the most tragic moments.”.

  2. Hany Abu-Assad’s latest film Paradise Now made its debut in February at The Berlinale, the annual festival of international film in Berlin. A French-German-Dutch coproduction, the controversial picture recounts twenty-seven hours in the lives of Said (Kais Nashef) and Khaled (Ali Suliman), two childhood friends turned would-be suicide bombers, as they prepare to carry out a mission in Tel Aviv.

  3. Following the success of Paradise Now, Abu-Assad moved to Hollywood to begin work with DViant Films on his next feature, L.A. Cairo, a tragedy-comedy about the Arab-American dream. INFLUENCES AND CONTRIBUTIONS. Abu-Assad claims that he is a filmmaker, not a politician.

  4. Feb 21, 2014 · As with 2005’s “Paradise Now,” Abu-Assad’s critically praised but much debated film about suicide bombers, the writer-director does not make it easy to choose sides. Violence is meted out ...

  5. Eschewing the psychological cul-de-sacs of ideology, Paradise Now favors a nuanced look at the social complexities that lead two friends to be recruited as suicide bombers. West Bank locations lend authenticity, as Hany Abu-Assad deftly strikes a balance between compassion and white-knuckle tension.

  6. Oct 28, 2005 · When they are intercepted at the Israeli border and separated from their handlers, a young woman who discovers their plan causes them to reconsider their actions. Director: Hany Abu-Assad. Producer: Bero Beyer, Hengameh Panahi, Amir Harel, Gerhard Meixner, Roman Paul. Writer: Hany Abu-Assad, Bero Beyer. Cast:

  7. It belongs to Hany Abu-Assad, filmmaker. The second story belongs to Saïd, one of the protagonists of Paradise Now, a character in the screenplay written by Abu-Assad and his producer Bero Beyer. Saïd works in a dead-end job together with his best friend Khaled, labouring in an automobile salvage yard that’s part dump, part repair shop.

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