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  1. The Dreaming is a vague, shifting realm of symbol, belief, and imagination where people go to, well … dream! It is also the home for fans of Neil Gaiman's critically beloved DC comic series, The Sandman, its Audible and Netflix adaptations, and its various spin-offs.

  2. 7 hours ago · Some people don’t feel that they have to be faithful at all. There’s this phrase that goes around, ‘I’m going to make it my own.’ I hate that phrase, and I think Neil probably hates that phrase, too.” “I do,” Gaiman said. “I spent 30 years watching people make Sandman their own, and some of those people hadn’t even read Sandman.

  3. 7 hours ago · Reflecting on a past panel discussion with Neil Gaiman, the creator of the ‘Sandman’ comic book series, Martin emphasized that the quality of adaptations seems to be declining. He referenced ...

  4. 14 hours ago · According to Deadline, Martin's remarks stem from a panel discussion with fellow creator Neil Gaiman, who was involved in adapting the comic series 'Sandman' for Netflix. While Martin refrained from commenting directly on Gaiman's adaptation, he noted a worrying trend in the industry.

  5. 1 day ago · The author Neil Gaiman stated that he grew up reading Chesterton in his school's library, and that The Napoleon of Notting Hill influenced his own book Neverwhere. Gaiman based the character Gilbert from the comic book The Sandman on Chesterton, [108] and Good Omens , the novel Gaiman co-wrote with Terry Pratchett , is dedicated to Chesterton.

  6. 7 hours ago · It’s brilliant. Right up there with Neil Gaiman’s EPIC story cycle “Sandman”, the anarchist politics of Alan Moore’s V for Vendetta, the furious defense of Liberal Ideals by Warren Ellis in Transmetropolitan, and the immersive world building of Mark Smylie’s Artesia. The link between these two threads is the Atrocity Museum.

  7. 14 hours ago · According to Deadline, Martin’s remarks stem from a panel discussion with fellow creator Neil Gaiman, who was involved in adapting the comic series ‘Sandman’ for Netflix. While Martin refrained from commenting directly on Gaiman’s adaptation, he noted a worrying trend in the industry.

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