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  1. Jul 11, 2023 · 1. Mahalia Jackson. We start off with the undisputed Queen of Gospel of the 20th centuray, Mahalia Jackson. Her incredible career spanned over 40 years, and she peaked during a challenging time in history when racial segregation was rampant throughout the US.

  2. Jun 7, 2023 · 1. Thomas A. Dorsey. Let’s start with the Father of Gospel Music. Thomas Andrew Dorsey is a singer from the 1900s who popularized the gospel music genre. He’s a legend amongst gospel artists who built an unparalleled legacy as a singer, composer, and Christian evangelist and a pioneer of early blues and gospel music.

  3. May 29, 2022 · From its origin, women pioneered the sound of gospel music.Artists like Mahalia Jackson and Rosetta Tharpe elevated the popularity of the genre in the mid-1900s, treading the path for gospel...

  4. Dec 19, 2023 · Marion Williams was an early gospel singer who helped set the direction of the genre by combining elements of African spiritual music, blues, jazz, and even Caribbean calypso music. She began her career singing in church and busking on the street before joining the group The Ward Singers in 1947.

  5. Mar 9, 2023 · 1. Mahalia Jackson was an American gospel vocalist who had a 40-year career. She is best recognized as one of the 20th century’s most significant vocalists. With the release of Move On Up a Little Higher, it sold two million copies and peaked at number two on the Billboard Charts, she gained notoriety.

  6. Early Gospel Singers. This section is intended to provide the reader with an introduction into the wide scope of gospel music by providing biographical entries of early gospel singers. The entries are listed according to the initial letter of their surname (or the initial letter of the group name) and are catalogued in alphabetical order.

  7. Chronology. Key dates and significant events in the evolution of gospel music …. 1619. First African slaves on mainland North America. Dutch traders brought the first Africans to the British colony of Jamestown, Virginia as indentured servants. The African’s emphasis on musical elements such as call and response, improvisation, polyrhythms ...

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