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Bob Gosse (born January 9, 1963) is an American film producer, film director and actor. [ 1] Background. Gosse was born on Long Island, New York. Gosse attended SUNY Purchase where he would meet and collaborate with artists such as Hal Hartley, Nick Gomez, Parker Posey, Wesley Snipes and Edie Falco.
Bob Gosse was born on 9 January 1963 in Long Island, New York, USA. He is an actor and producer, known for Julie Johnson (2001), Niagara, Niagara (1997) and Laws of Gravity (1992).
Mar 18, 2019 · From 1997 to 2006, Tunney was married to producer and director Bob Gosse. The pair met while Tunney starred in Gosse’s film Niagra, Niagra, for which she received the Volpi Cup for Best...
Niagara, Niagara: Directed by Bob Gosse. With Robin Tunney, Henry Thomas, Michael Parks, Stephen Lang. An outsider and a young woman plagued by Tourette's syndrome meet and together journey to Canada.
Oct 3, 2009 · On first blush, Bob Gosse seems like an unlikely choice to direct Tucker Max's ribald memoir, I Hope They Serve Beer in Hell. After all, it was Gosse who co-founded the seminal independent film...
Aug 29, 2024 · Bob Gosse. Producing School of Filmmaking. O: 336-770-1388 gosseb@uncsa.edu. Producer and director Bob Gosse began his professional career collaborating with his cousin Hal Hartley on shorts and two feature films, “The Unbelievable Truth” (1988) and “ Trust” (1990).
Mar 20, 1998 · Bob Gosse’s first feature for theatrical release stars Robin Tunney (“The Craft“), whose startling performance won her the Best Actress
Bob Gosse (born January 9, 1963) is an American film producer and director. He has also acted in several movies. Description above from the Wikipedia article Bob Gosse, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Filmmaker Bob Gosse. Bob Gosse ’86 is one of many filmmaking alumni to rise to fame in the 1990s. He founded an independent film company, The Shooting Gallery, with friend a...
Indie films alive and well. PARK CITY, Utah -- This was an especially satisfying Sundance Film Festival. Day after day, clicking off three to four screenings, I became heartened by the good health of independent films.