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  1. A Clockwork Orange

    A Clockwork Orange

    R1972 · Dark comedy · 2h 17m
  2. A Clockwork Orange is a 1971 dystopian crime film adapted, produced, and directed by Stanley Kubrick, based on Anthony Burgess 's 1962 novel of the same name. It employs disturbing, violent images to comment on psychiatry, juvenile delinquency, youth gangs, and other social, political, and economic subjects in a dystopian near-future Britain.

  3. Feb 2, 1972 · A dystopian film by Stanley Kubrick about a violent gang leader who undergoes a controversial experiment to cure his sadism. IMDb provides cast and crew information, user and critic reviews, trivia, goofs, quotes, and more.

    • (882K)
    • Crime, Sci-Fi
    • Stanley Kubrick
    • 1972-02-02
  4. A Clockwork Orange is a dystopian satirical black comedy novella by English writer Anthony Burgess, published in 1962. It is set in a near-future society that has a youth subculture of extreme violence. The teenage protagonist, Alex, narrates his violent exploits and his experiences with state authorities intent on reforming him.

    • Anthony Burgess
    • 1962
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  6. May 16, 2024 · Anthony Burgess, 1973. A Clockwork Orange, novel by Anthony Burgess, published in 1962. Set in a dismal dystopian England, it is the first-person account of a juvenile delinquent who undergoes state-sponsored psychological rehabilitation for his aberrant behaviour. The novel satirizes extreme political systems that are based on opposing models ...

  7. Rent A Clockwork Orange on Fandango at Home, Prime Video, or buy it on Fandango at Home, Prime Video. Disturbing and thought-provoking, A Clockwork Orange is a cold, dystopian nightmare...

    • (82)
    • Stanley Kubrick
    • R
    • Malcolm Mcdowell
  8. A dystopian future where a violent gang leader is imprisoned and undergoes a controversial rehabilitation program. The film explores themes of free will, morality, and human nature through the eyes of Alex DeLarge, a sadistic and narcissistic protagonist.

  9. Ebert criticizes Kubrick's film as a paranoid right-wing fantasy that celebrates the nastiness of its hero, Alex, a sadistic rapist. He argues that Kubrick uses visual tricks to manipulate the audience into identifying with Alex and his anti-social lifestyle.

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