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  1. The Replacement Killers

    R1998 · Action · 1h 26m

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  1. Feb 6, 1998 · A hitman refuses to kill a target with a son and faces replacements sent by his bosses. IMDb provides cast, crew, reviews, trivia, soundtrack and more for this movie directed by Antoine Fuqua and starring Chow Yun-Fat and Mira Sorvino.

    • (31K)
    • Action, Crime, Thriller
    • Antoine Fuqua
    • 1998-02-06
  2. The Replacement Killers is a 1998 American action film directed by Antoine Fuqua in his feature film directorial debut, and written by Ken Sanzel. The film stars Chow Yun-fat (in his first international film debut), Mira Sorvino, Michael Rooker, and Kenneth Tsang. The film was released in the United States on February 6, 1998.

  3. A 2000 action film starring Chow Yun-Fat as a hitman who spares a child and flees to America. Critics panned the movie for its plot holes, clichés and poor dialogue.

    • (38)
    • Antoine Fuqua
    • R
    • Chow Yun-Fat
  4. Hired assassin John Lee is asked by Chinatown crime boss Terence Wei to murder the young son of policeman Stan Zedkov. Lee has the boy in his sights, but his conscience gets the better of him, and he spares the child's life. Afraid that Wei will take revenge on his family in China, Lee seeks out expert forger Meg Coburn to obtain the passport ...

    • (355)
    • Antoine Fuqua
    • R
    • 22
  5. When a Cop kills Wei's adult son during a drug bust, Wei orders a hit in revenge. Lee can't pull the trigger, and he knows Wei will punish him by going after Lee's mother and sister in Shanghai. To reach them fast, Lee needs a forged passport. He seeks out Meg Coburn, a forger.

  6. Feb 6, 1998 · Hired assassin John Lee is asked by Chinatown crime boss Terence Wei to murder the young son of policeman Stan Zedkov. Lee has the boy in his sights, but his conscience gets the better of him, and he spares the child's life.

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  8. Feb 6, 1998 · Chow Yun-Fat stars as a hitman who spares the target of a drug lord and faces deadly consequences. Roger Ebert praises the film's style and visuals, but criticizes its impersonal story and violence.

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