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Michelangelo Antonioni ( / ˌæntoʊniˈoʊni / AN-toh-nee-OH-nee or / ænˌtoʊ -/ an-TOH-, Italian: [mikeˈlandʒelo antoˈnjoːni]; 29 September 1912 – 30 July 2007) was an Italian director and filmmaker.
Michelangelo Antonioni. Writer: Blow-Up. Together with Fellini, Bergman and Kurosawa, Michelangelo Antonioni is credited with defining the modern art film. And yet Antonioni's cinema is also recognized today for defying any easy categorization, with his films ultimately seeming to belong to their own distinctive genre.
Jul 26, 2024 · Michelangelo Antonioni, Italian film director, cinematographer, and producer noted for his avoidance of realistic narrative in favor of character study and a vaguely metaphorical series of incidents. His major films included Le amiche (1955), L’avventura (1960), L’eclisse (1962), and Blow-Up (1966).
Dec 25, 2023 · From Story of a Love Affair to La Notte, these are Michelangelo Antonioni's best movies, according to IMDb.
Aug 1, 2007 · Michelangelo Antonioni, the Italian director whose chilly depictions of alienation were cornerstones of international filmmaking in the 1960s, inspiring intense measures of admiration,...
Jul 31, 2007 · Michelangelo Antonioni, the Italian director whose canticles of alienation dominated international filmmaking in the 1960s, inspiring intense admiration, denunciation and confusion, died Monday...
Jul 31, 2007 · Michelangelo Antonioni, the Italian director whose chilly depictions of alienation were cornerstones of international filmmaking in the 1960s, inspiring intense measures of admiration,...
Jul 30, 2007 · Michelangelo Antonioni, Cavaliere di Gran Croce OMRI (29 September 1912 – 30 July 2007) was an Italian modernist film director, screenwriter, editor, and short story writer.
Michelangelo Antonioni was born in Ferrara on 29 September 1912 into a middle-class family. After completing secondary schooling, he enrolled at the University of Bologna, where he graduated in Economics and Business Administration.
The Michelangelo Antonioni Archive contains materials relating to the intellectual, aesthetic and emotional world of the director and make it possible to explore his cinema and, more generally, all his broader professional activities, including his critical, literary and artistic work.