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  1. Kennedy Miller Mitchell (known before 2009 as Kennedy Miller) is an Australian film, television and video game production house in Potts Point, Sydney, that has been producing television and film since 1978.

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    Byron Kennedy, who was a film school lecturer at the time, and George Miller first met at a summer film school in Australia in 1971. They began making short features and experimental work, including Violence in the Cinema, Part 1, which Byron produced, photographed and edited, and which won two Australian Film Institute (AFI) awards. In 1978, Kenne...

    Mad Max(1979)
    Mad Max 2(1981)
    The Dismissal(1983) (TV mini series)
    Bodyline(1984) (TV mini series)

    1. List of companies of Australia 2. List of film production companies 3. List of television production companies

  2. Kennedy Miller Mitchell. Company Details: Address: 30 Orwell Street Kings Cross, New South Wales NSW 2011, Australia. Phone: ****************. Fax: ****************. Projects: Mad Max: Furiosa (Feature Film) Three Thousand Years Of Longing (Feature Film)

  3. Feature. 120mins. Status: Completed. From director George Miller, originator of the post-apocalyptic genre and mastermind behind the legendary “Mad Max' franchise, comes MAD MAX: FURY ROAD, a return to the world of the Road Warrior, Max Rockatansky.

  4. May 3, 2021 · In this article, I examine the analytical possibilities of the film practice schema in the Australian context. I focus on the Australian production firm Kennedy Miller Mitchell, which I identify as operating within the contemporary classical Hollywood cinema practice.

    • James Douglas
    • 2021
  5. With Kennedy Miller Mitchell (Sorted by Popularity Ascending) 4 titles. 1. Three Thousand Years of Longing (2022) R | 108 min | Drama, Fantasy, Romance. A lonely scholar, on a trip to Istanbul, discovers a Djinn who offers her three wishes in exchange for his freedom.

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  7. Miller’s production company, Kennedy Miller Mitchell, bought the rights to the story in the late 1990s. Miller collaborated on the screenplay with AUGUSTA GORE. The Djinn admits to being too fond of the company of women. Through him we meet the Queen of Sheba, a slave and a genius.

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