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The Memphis Horns was an American horn section, made famous by their many appearances on Stax Records. The duo consisted of Wayne Jackson on trumpet and Andrew Love on tenor saxophone. An "offshoot of the Mar-Keys", they continued to work together for over 30 years.
The Memphis Horns provide a profound sense of empathy to the aching "Thousand Miles Away," while the somber irony of the Redding original "A Waste of Time" ranks alongside his best ballads. The remake of Ray Charles' "A Fool for You" provides an ideal vehicle for Redding to explore his R&B roots.
Nov 27, 2015 · Redding was a one-of-a-kind soul singer whose vocal phrasing and rhythmic, horn-heavy music defined the modern Memphis sound and impacted all of popular music. Here’s a look at what’s included in the box: Pain in My Heart.
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The Immortal Otis Redding is a posthumous studio album by American soul recording artist Otis Redding, released in June 1968 by Atco Records. It compiles 11 songs recorded by Redding in a three-week stretch of sessions that concluded days prior to his death in December 1967. [1] ".
The Memphis Horns are, in fact, just two men, Wayne Jackson and Andrew Love, weaned in the Stax studio and the Memphis bar scene, and they have become the most-recorded horn section in...
Written by Otis Redding, Al Bell and Allen Jones, this song and album was released posthumously after Redding’s death in 1968. The album, THE IMMORTAL OTIS REDDING, was produced by Steve Cropper and featured Booker T. & the MGs and the Memphis Horns as his backing studio band.
Aug 2, 1987 · It was a cruel irony that Otis Redding's only Top-20 hit, 1968's "(Sittin' On) The Dock of the Bay," came after his death and was a wistful pop composition quite unlike the down-home soul...
