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James Roy Horner (August 14, 1953 – June 22, 2015) was an American film composer. He worked on more than 160 film and television productions between 1978 and 2015.
Universal Pictures. First score for an animated film; Grammy Winner, Oscar & Golden Globe nomination; also wrote "Somewhere Out There" with Barry Mann and Cynthia Weil for Linda Ronstadt and James Ingram. 1987.
James Horner. Music Department: Titanic. James Horner began studying piano at the age of five, and trained at the Royal College of Music in London, England, before moving to California in the 1970s.
Oct 11, 2016 · When composer James Horner died in a plane crash in June 2015, cinema lost one of its most profoundly emotional voices, and the final chapter on Horner’s astonishing career has now closed with his...
Jun 23, 2015 · James Horner, the Hollywood composer who wrote the Oscar-winning score for Titanic, has died in a California plane crash aged 61. A trained pilot, he is reported to have...
Jun 22, 2015 · James Horner, the consummate film composer known for his heart-tugging scores for Field of Dreams, Braveheart and Titanic, for which he won two Academy Awards, died Monday in a plane crash near...
James Horner. Music Department: Titanic. James Horner began studying piano at the age of five, and trained at the Royal College of Music in London, England, before moving to California in the 1970s.
Jun 23, 2015 · Composer James Horner, who won two Oscars for the music of “ Titanic ” and scored such other blockbusters as “Avatar,” “Braveheart,” “Apollo 13” and “A Beautiful Mind,” died Monday in a plane...
Avatar (Music from the Motion Picture) is the soundtrack album to the 2009 James Cameron film Avatar, with music composed, co-orchestrated and conducted by James Horner. The album's deluxe edition, featuring six bonus tracks, was released by Atlantic Records on April 19, 2010 to promote the DVD release of the film. [1]
James Horner (14 August 1953 – 22 June 2015; age 61) was an Academy Award-winning composer who wrote and conducted the music score for Star Trek II: The Wrath of Khan and Star Trek III: The Search for Spock. His work on the former was his first score for a high-profile motion picture.
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