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  1. Atom Egoyan
    Canadian filmmaker of Armenian descent
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  3. en.wikipedia.org › wiki › Atom_EgoyanAtom Egoyan - Wikipedia

    Atom Egoyan CC (/ ɛ ˈ ɡ ɔɪ ə n /; Armenian: Ատոմ Եղոյեան; born July 19, 1960) is a Canadian filmmaker. Emerging in the 1980s as part of the Toronto New Wave, he made his career breakthrough with Exotica (1994), a film set in a strip club.

  4. www.imdb.com › name › nm0000382Atom Egoyan - IMDb

    Atom Egoyan. Director: The Sweet Hereafter. Born in Egypt to Armenian parents, he was raised in Western Canada. Both his parents were painters, and he planned to be a playwright, but after making a short film, he became hooked on telling stories visually. Returned to ethnic "homeland" when he filmed Calendar (1993) in Armenia.

    • January 1, 1
    • 1.70 m
    • Cairo, Egypt
  5. July 19, 1960 · Cairo, Egypt. Birth name. Atom Yeghoyan. Height. 5′ 7″ (1.70 m) Mini Bio. Born in Egypt to Armenian parents, he was raised in Western Canada. Both his parents were painters, and he planned to be a playwright, but after making a short film, he became hooked on telling stories visually.

    • July 19, 1960
  6. Apr 30, 2024 · Atom Egoyan, Egyptian-born Canadian writer and director who was known for his nuanced character studies of people in unconventional circumstances. His notable movies included Next of Kin, The Sweet Hereafter, and Felicia’s Last Journey. Learn more about Egoyan’s life and career.

  7. Jan 18, 2012 · Atom Egoyan (born Atom Yeghoyan), CC, FRCA, writer, director, producer, artist (born 19 July 1960 in Cairo, Egypt). Atom Egoyan is one of Canada’s most acclaimed and influential filmmakers. Cerebral and unconventional, his films are often told in a non-linear style.

    • 21 min
  8. Jan 8, 2024 · Canadian auteur Atom Egoyan is a two-time Oscar nominee with an incredible resumé! Custom Image by Federico Napoli. Atom Egoyan is a Cairo-born Canadian filmmaker of Armenian descent who...

  9. Jul 27, 2020 · Egoyans plotlines, with their shuffled timelines and accordingly unwieldy relationship to cause-and-effect dramaturgy, inspire curiosity—that most thrilling and weightless of moviegoing sensations—while also requiring completion in the viewer’s consciousness. You can file his movies under “some assembly required.”.

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