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May 8, 2018 · Jelly Roll Morton. Pianist, composer, bandleader. A Colorful Character. Pioneered Jazz Style. Eclectic Musical Influences. Recorded Musical Legacy After the Fact. Selected discography. Sources. When one hears of jazz having its roots in New Orleans, some of the first jazz musicians that come to mind are Louis Armstrong and Jelly Roll Morton.
Jun 28, 2008 · Ferdinand Joseph La Menthe Morton, more popularly known as “Jelly Roll” Morton, was an influential early 20th Century composer and pianist. Jelly Roll, the son of Creole parents, E.P. La Menthe and Louise Monette, was born in Gulfport, Mississippi in 1885.
Ferdinand "Jelly Roll" Morton (October 20, 1890 – July 10, 1941) was an American virtuoso jazz pianist, bandleader, and songwriter whom many consider the first true composer of jazz music. A light-skinned Creole, Morton grew up in a respectable family where he was exposed to opera and a rudimentary musical education.
By Ben Sandmel. A nimble pianist, skilled composer and arranger, an evocative soulful singer and a classic New Orleans flamboyant character – Jelly Roll Morton embodied all these estimable traits. Morton (1885 – 1941) was a second-generation New Orleans jazz musician, and the genre’s first important composer/arranger, as heard on such ...
New Orleans-based arranger and pianist who was the jazz idiom's first important composer. Read Full Biography. STREAM OR BUY: Active. 1900s - 1940s. Born. October 20, 1890 in New Orleans, LA. Died. July 10, 1941 in Los Angeles, CA. Genre. Jazz. Styles. Early Jazz, New Orleans Jazz, Dixieland, Jazz Instrument, Piano Jazz, Keyboard. Also Known As.
Fifty-two records with more than one hundred individual compositions resulted. Jelly would be the first to tell you, “They were the greatest.”. He died in 1941. Download Our Guidebook. Jelly Roll Morton often introduced himself as the creator of Jazz.
Dec 28, 2019 · December 28, 2019. Profiles In Jazz. Jelly Roll Morton was a towering figure in early jazz, and one with a very large number of accomplishments. As a pianist who had his own easily recognizable style, Morton was a major transition figure between ragtime and early jazz, combining the syncopations of ragtime with jazz improvisations as early as 1910.
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