The Affairs of Messalina
1952
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Carmine Gallone (10 September 1885 [1] – 11 March 1973) was an early Italian film director, screenwriter, and film producer, who was also controversial for his works of pro-Fascist propaganda and historical revisionism. Considered one of Italian cinema 's leading early directors, he directed over 120 films in his fifty-year career between ...
Carmine Gallone was an Italian director, writer and producer of melodramas and costume epics. He was known for The Life of Giuseppe Verdi, Odessa in Flames and Scipione l'africano, among others.
- January 1, 1
- Taggia, Liguria, Italy
- January 1, 1
- Frascati, Lazio, Italy
Carmine Gallone (10 September 1885 – 11 March 1973) was an early Italian film director, screenwriter, and film producer, who was also controversial for his works of pro-Fascist propaganda and historical revisionism. Considered one of Italian cinema 's leading early directors, he directed over 120 films in his fifty-year career between 1913 ...
Mar 12, 1973 · ROME, March 11 (AP)—Carmine Gallone, known for his epic film productions, died of a heart attack tonight in a hospital in Frascati. He was 77 years old. Among the best known films Mr. Gallone ...
Mar 14, 1973 · Carmine Gallone began his career in 1914 with the film “The Naked Woman,” starring Lyda Borelli, one of the silent screen's sex symbols. And before his career closed in 1962, he had drawn ...
Malombra. (1917 film) Malombra is a 1917 silent Italian drama film directed by Carmine Gallone. [1] The film was shown as part of the Silent Divas of the Italian Cinema programme at the 38th New York Film Festival in 2000. [2] It is an adaptation of the 1881 novel Malombra by Antonio Fogazzaro, which was later adapted into a 1942 film of the ...
Feb 28, 2024 · This chapter examines the ideological potency of the Second Punic War for modern Italian imperialism by analysing Carmine Gallone’s 1937 film Scipione l’Africano. The chapter begins by outlining how the figure of Scipio has been appropriated in postclassical discourses to stand in for idealized constructions of masculinities.
