Star Trek: Discovery
2017
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Mark Pellington becomes internationally recognized as one of the world’s premiere music video directors. His video for Pearl Jam’s “Jeremy” is one of the most popular in history, as well as one of the most honored. It earned him Best Director at the 1992 Billboard Video Music Awards, and picked up four 1993 MTV Video Music Awards ...
Pellington was born in Baltimore, Maryland, the son of Bill Pellington, an All-Pro linebacker who played football with the Baltimore Colts for 12 seasons. His older brother, William "Bato" Pellington, is an industrial real estate broker based out of Baltimore. [1] Mark graduated from the University of Virginia in 1984, which he attended on an ...
YearSongArtist20192018"Autumn Leaves"2018"Next to Me"2018"Fly"MARK PELLINGTON is a filmmaker based in Los Angeles. Mark Pellington is originally from Baltimore, Maryland, he attended the University of Virginia, receiving a B.A. in Rhetoric in 1984. Upon graduation, Pellington joined MTV ’s award-winning On-Air Promotions Department, where he created short conceptual spots, editing original footage with ...
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MARK PELLINGTON IS ORIGINALLY FROM BALTIMORE, MARYLAND. Mark Pellington attended the University of Virginia, receiving a B.A. in Rhetoric in 1984. Upon graduation, Pellington joined MTV’s award-winning On-Air Promotions Department, where he created short conceptual spots, editing original footage with found sound and images.
Nov 16, 2022 · In 1997, Mark Pellington made his feature directorial debut with “Going All the Way,” based on Dan Wakefield’s novel of the same name. Telling the story of two Korean War veterans returning ...
- Jim Hemphill
Nov 9, 2022 · Mark Pellington's adaptation of Dan Wakefield's seminal novel about a young man coming of age in the 1950s is a timeless story of freedom and repression, friendship and family, sex and love, and the psychological and spiritual struggle to be true to one’s self even if it means going against society’s expectations.
Jan 26, 2022 · Director Mark Pellington has long been one of the American cinema’s great chroniclers of grief, from early genre films like The Mothman Prophecies (in which the horror story is a vehicle for an unsettling, affecting tale of personal anguish) to more overtly philosophical takes on the subject like I Melt With You, The Last Word, and Nostalgia.
