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  1. Mark Pellington

    Mark Pellington

    American film director

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  1. Mark Pellington (born March 17, 1962) is an American film director, writer, and producer.

  2. Mark Pellington was born on 17 March 1962 in Baltimore, Maryland, USA. He is a producer and director, known for Arlington Road (1999), The Mothman Prophecies (2002) and Jerry Maguire (1996). He was previously married to Jennifer Barrett Pellington.

  3. Mark Pellington becomes internationally recognized as one of the worlds premiere music video directors. His video for Pearl Jam’s “Jeremy” is one of the most popular in history, as well as one of the most honored.

  4. Jan 26, 2022 · Director Mark Pellington has long been one of the American cinema’s great chroniclers of grief, from early genre films like The Mothman Prophecies (in which ...

  5. Mark Pellington attended the University of Virginia, receiving a B.A. in Rhetoric in 1984. Upon graduation, Pellington joined MTV’s award-winning On-Air Promotions Department , where he created short conceptual spots, editing original footage with found sound and images.

  6. Nov 9, 2022 · Mark Pellington speaks with Script about making his first feature film, adding back essential scenes to the film, the Kismet teaming with Oscilloscope, and working with the literary master that is Dan Wakefield.

  7. Mar 7, 2017 · Director Mark Pellington ’s heartwarming dramedy, The Last Word, follows the badass adventures of the brash Harriet Lauler ( Shirley MacLaine ), a tightly wound, 80-something control freak...

  8. Mark Pellington was born on 17 March 1962 in Baltimore, Maryland, USA. He is a producer and director, known for Arlington Road (1999), The Mothman Prophecies (2002) and Jerry Maguire (1996). He was previously married to Jennifer Barrett Pellington.

  9. Aug 8, 2008 · Four years after his wife’s death, the director Mark Pellington offers a movie touching spiritual themes.

  10. Nov 16, 2022 · A celebrated music video director, a cast on the cusp of fame, and a feature debut realizing its full potential in a radically reimagined edit. In 1997, Mark Pellington made his feature ...

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