The Bay
2010
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Jim Kierstead is a Tony Award, Olivier Award, Drama Desk, and Daytime Emmy Award-winning American theatre producer, film producer, and writer. He is best known for his work on Broadway.
Jim Kierstead is a Grammy-nominated Emmy, Olivier, and six-time Tony Award-winning producer of the Broadway, touring, Toronto, and London productions of Kinky Boots, the revival of Pippin, Hadestown, The Inheritance, The Lehman Trilogy, and The Inheritance.
Jim Kierstead is a Grammy-nominated Emmy, Olivier, and six-time Tony Award-winning producer of the Broadway, touring, Toronto, and London productions of Kinky Boots, the revival of Pippin ...
Jim Kierstead is an Emmy, Olivier, and three-time Tony Award-winning producer of the Broadway, touring, Toronto, and London productions of Kinky Boots, the revival of Pippin, and Hadestown.
- Producer, Writer, Additional Crew
- Jim Kierstead
- How Do You Prefer to First Connect with A Writer?
- Do Producers Typically Have A Preference on Cast Size?
- What Typically Is The First Thing That Attracts You to A Show?
- Do You Encourage Writers to Self-Produce?
- Do You Accept Invitations to Readings?
- Should Writers Be Required to Raise Money?
- How Do You Feel About Crowdfunding Projects?
- Any Other Tips and Suggestions You Have on Getting A Producer’S Attention?
Jim Kierstead:I meet lots of writers and usually it’s by seeing their work presented or being introduced to them by a friend. I rarely can take blind submissions, but if the material really touches me in some way, I will make an exception.
Jim Kierstead:The smaller the better! I love shows 2 to 4 people in size. Makes it much easier to produce.
Jim Kierstead:I like shows with a lot of heart where people go through a journey where they learn a life-changing lesson by the end. I usually know what I like when I see it.
Jim Kierstead:Sometimes they have to! At least until someone falls in love with their project. I say do whatever you need to do to get people familiar with your show.
Jim Kierstead:Yes, but I usually go to readings where I know someone involved with the project. At this stage I get too many invites to do everything, which is a shame, but it’s just a fact.
Jim Kierstead: I don’t think they should be requiredto raise money, but they surely should help in the process if they can. Many writers have friends who support their work so bringing those people to the table is super helpful.
Jim Kierstead:I think crowdfunding is a nice idea….anything that raises money is a good idea. Sometimes, though, if the funds need to be substantial, it becomes difficult to maintain crowdfunding because they tend to usually be smaller amounts. So I shy away from them in general. From the side of investing/contributing, it’s sometimes fun to see wh...
Jim Kierstead: Have a show that I’m interested in and you’ve got my attention. It’s communicating the idea clearly and concisely that is most important. Special thanks to Jim Kierstead for taking the time to share his insights and tips! Jim Kierstead is an Emmy, Olivier, and three-time Tony Award-winning producer of the Broadway, touring, Toronto, ...
Jun 29, 2022 · Two men with dovetailing psychosexual needs find a way to connect in Borrowed, the first drama by Broadway producer-turned-playwright Jim Kierstead.
JIM KIERSTEAD (he/him) is an Emmy, Olivier, and four-time Tony Award-winning producer of the Broadway, touring, Toronto, and London productions of Kinky Boots, the revival of Pippin, Hadestown, and The Inheritance.
