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Eleonora Gonzaga, Duchess of Urbino (31 December 1493 – 13 February 1570 was Duchess and sometime regent of Urbino by marriage to Francesco Maria I della Rovere, duke of Urbino. She served as regent during the absence of her spouse in 1532.
Portrait of Eleonora Gonzaga, Duchess of Urbino. Titian (Pieve di Cadore 1488/90 – Venezia 1576) Characteristics. Description. Date. 1537 ca. Museum. The Uffizi. Collection. Painting. Location. D14. Room of the Dynasties. Technique. Oil on canvas. Size. 114 x 103 cm. Inventory. 1890 no. 919.
Duchess of Urbino. Name variations: Leonora Gonzaga; Eleanora Gonzaga della Rovere; Eleonora della Rovere. Born in December 1493 in Mantua, Italy; died in 1543 in Gubbio, Italy; daughter of Isabella d'Este (1474–1539) and Francesco also known as Gian Francesco Gonzaga (1466–1519), 4th marquis of Mantua (r. 1484–1519); niece of Elisabetta ...
- Ideal Representatives of Masculinity and Femininity
- The Feminine Ideal
- The Four Humors
- The Masculine Ideal
- Gender Roles Constructed in and by Art
In a pair of portraits painted by the Venetian artist Titian, the Duke and Duchess of Urbino are presented as ideal representatives of their sexes. Duke Francesco Maria della Rovere, the great mercenary captain, stands upright, his body encased in shining armor. His right arm juts outward from his body, seemingly breaking through the picture plane,...
When the popular fifteenth-century preacher, Bernardino da Siena, wanted to impress upon his female listeners the importance of proper feminine behavior, he pointed them to the model of the Virgin Mary as painted by the Sienese artist, Simone Martini. At the moment the archangel Gabriel announces to Mary that she would bear the son of God, Mary’s r...
Women’s subordinate role in renaissance culture was also tied to medical understanding of the human body inherited from ancient Greek and Roman traditions. Perhaps most influential was the ancient theory of the four humors. Originating in ancient Greece, humoral theory was thoroughly developed by the Roman doctor, Galen, whose writings were importa...
Men, who in renaissance Christian thought were created in the image of a male God, were believed to have a natural superiority over their female counterparts. Niccolo Machiavelli’s famous text on statecraft, The Prince(1513), reflects the way gender roles were tied to notions of power: fortune is feminized, desirous of subjugation, while the worthy...
Images helped to communicate ideas about gender roles and to model appropriate—or expected—gendered behavior. One’s performance of femininity or masculinity was expected to conform with their age and social rank, as we see with Titian’s portraits of Francesco Maria and Eleonora. At times art could mask realities of character that were inconsistent ...
Jul 14, 2021 · Eleonora (known as the Younger) was born on 18 November 1630 as the daughter of Charles Gonzaga, Duke of Nevers – heir to the Duchy of Mantua, but he died before succeeding – and Maria Gonzaga, Duchess of Montferrat in her own right. Her father died before Eleonora’s first birthday, and so she never knew him.
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/ Artworks. Young Man with an Apple. Raffaello Sanzio (Urbino 1483 – Rome 1520) Characteristics. Description. Date. 1504ca. Museum. Pitti Palace. Collection. Palatine Gallery. Location. Saturn Room. Technique. Oil on wood. Size. 48 x 35.5 cm. Inventory. 1890, no. 8760. A half bust against a background of rolling hills and gracious trees.
Jul 5, 2021 · From the age of ten, Eleonora lived at the monastery of Sant’Orsola, where her education was entrusted to her aunt Margherita Gonzaga, Dowager Duchess of Ferrara and Modena. She received lessons in languages, history, music and painting. Her religious upbringing influenced her later life heavily, and she was known to be extremely pious.
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