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  1. Melchior Lengyel (born Menyhért Lebovics; Hungarian: Lengyel Menyhért; 12 January 1880 – 23 October 1974) was a Jewish Hungarian writer, dramatist, and film screenwriter.

  2. Melchior Lengyel. Writer: Ninotchka. Born Lebovics Menyhért, Lengyel started out as a correspondent for Hungarian newspapers in Switzerland and became a well-known journalist, author, and critic in Germany and Austria where he published numerous plays and established friendships with Ernst Lubitsch and other German theater greats with whom he ...

    • Melchior Lengyel
    • October 23, 1974
    • January 12, 1880
  3. It is the story which inspired Béla Bartók, the famous Hungarian composer, to create in 1924 the ballet The Miraculous Mandarin. After World War I, Lengyel went to the United States for a longer stay and published his experiences in 1922 in a book Amerikai napló (American Journal).

  4. MELCHIOR LENGYEL was born in Hungary in 1880. He started his career as a journalist in Košice, then later in Budapest. His first play, A nagy fejedelem (The Great Prince) was performed by the Thalia Company in 1907.

  5. LENGYEL, MENYHÉRT (Melchior; 1880–1974), Hungarian playwright. Born in Balmazújváros, Lengyel started his career as a journalist but soon began writing for the theater. His most successful plays included Próféta ("The Prophet," 1911), A cárnö ("The Czarina," 1913), Róza néni ("Aunt Rose," 1913), and Antónia (1925). In 1929 Lengyel ...

  6. The Miraculous Mandarin (Hungarian: A csodálatos mandarin, pronounced [ˈɒ ˈt͡ʃodaːlɒtoʃ ˈmɒndɒrin]; German: Der wunderbare Mandarin) Op. 19, Sz. 73 (BB 82), is a one act pantomime ballet composed by Béla Bartók between 1918 and 1924, and based on the 1916 story by Melchior Lengyel.

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  8. LENGYEL, MENYHÉRT ( Melchior ; 1880–1974), Hungarian playwright. Born in Balmazújváros, Lengyel started his career as a journalist but soon began writing for the theater. His most successful plays included Próféta ("The Prophet," 1911), A cárnö ("The Czarina," 1913), Róza néni ("Aunt Rose," 1913), and Antónia (1925).

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