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ATGCLVLSSCAP is the tenth studio album by Norwegian experimental electronica band Ulver. Written, performed and produced by Ulver, the album was released on 22 January 2016 via newly formed, London-based label House of Mythology.
- Ulver
- 22 January 2016
- February 2014
Jan 22, 2016 · released January 22, 2016. all rights reserved. Tags. alternative electronic rock psychedelic soundtrack Oslo. ATGCLVLSSCAP by Ulver, released 22 January 2016 1. England's Hidden 2. Glammer Hammer 3. Moody Stix 4. Cromagnosis 5. The Spirits That Lend Strength Are Invisible 6. Om Hanumate Namah 7. Desert/Dawn 8. D-Day Drone 9. Gold Beach 10.
Ulver's 16th album, ATGCKVLSSCAP, provides proof of their initial ferocity, even after countless incarnations. After 2014’s plodding Sunn O))) collaboration Terrestrials, Ulver have sprung...
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Jan 7, 2016 · Taken in its entirety, ATGCLVLSSCAP demands total surrender and engagement with Ulver’s fluid muse, but its finest moments – the labyrinthine, space rock stomp of Cromagnosis and the self-explanatory D-Day Drone – are fine, singular examples of how poignancy and potency can be wrung from an amorphous source. There’s a dash of King ...
- Writer
Jan 27, 2016 · The group have made an extraordinary move from hyperspeed metal to quasi-religious vocal chorales to psychedelia, and ATGCLVLSSCAP is an inspired and powerful manipulation of live recordings. If there’s a unifying factor that links Ulver’s diverse music it’s a feeling of size and space, and this is huge.
Feb 22, 2016 · The basis for ATGCLVLSSCAP – which the band has been working with under the moniker ‘12’ – arrives from recordings made at twelve different live shows that Ulver performed in February 2014, in which band the band vaulted into the deep end of an improvisatory approach to their performance.
Jan 28, 2016 · Originally made under the working title of 12, the twelve letters of ATGCLVLSSCAP purportedly represent the astrological star signs, and presumably the twelve gigs Ulver recorded in February 2014 for the album’s twelve tracks.
