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Orchestrations by Herbert Spencer, Bernard Mayers and Richard E. Reynolds Additional music direction Irvin Talbot and Jack Hayes
Orchestrations. Earle Hagen (20), Bernard Mayers (11), Herbert W. Spencer (22) Performer. Marni Nixon (63) — dubs part of Marilyn Monroe's vocals, Marilyn Monroe (81), Jane Russell (41) Musician. Twentieth Century Fox Studio Orchestra. Shortcode.
Mar 16, 2024 · Wonderful they included a few instrumental numbers such as the "It Might As Well Be Spring" one from State Fair. I own some of the CDs from Dutton featuring the same BBC orchestra which are fantastic so I have high hopes for this new one! General Discussion : new CD Dutton Vocalion: 20th Century Fox Musicals.
Bernard Mayers was born on 6 January 1908 in Lakewood, New Jersey, USA. He was a composer, known for Gentlemen Prefer Blondes (1953), The King and I (1956) and Way of a Gaucho (1952). He died on 17 August 2010 in Marina del Rey, California, USA.
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Although chronologically of the Golden Age he pioneered orchestrations and approaches which set the stage for subsequent composers from Leonard Rosenman and Elmer Bernstein to John Williams and Jerry Goldsmith. Sadly, very little of Friedhofer's work is available on CD.
Daddy Long Legs (1955) is a musical comedy film set in France, New York City, and the fictional college town of Walston, Massachusetts. The film was directed by Jean Negulesco, and stars Fred Astaire, Leslie Caron, Terry Moore, Fred Clark, and Thelma Ritter, with music and lyrics by Johnny Mercer.
Explore Bernard Mayers's discography including top tracks, albums, and reviews. Learn all about Bernard Mayers on AllMusic.
Sep 2, 2010 · MAYERS, Bernard Leon Eminent saxophone and clarinet player, arranger and orchestrator, died of natural causes on August 17th at the age of 102 years old, in Marina del Rey, CA. Bernie Mayers, who...
Key Takeaways. We begin by thinking of orchestration very simply in terms of how to combine elements, both: “simultaneously” (or “vertically” if you prefer) for voicing chords, doubling melody lines, and handling texture; “successively” (or “horizontally”) for effects like orchestral crescendos.