Ad
related to: Evolution of Mann: The Herbie Mann Anthology Duane AllmanEnjoy low prices on earth's biggest selection of books, electronics, home, apparel & more. Browse & discover thousands of brands. Read customer reviews & find best sellers
Search results
The Evolution of Mann: The Herbie Mann Anthology by Herbie Mann released in 1994. Find album reviews, track lists, credits, awards and more at AllM...
- (4)
Jul 26, 2005 · By then Mann had been a producer at Embroyo (a subsidiary of Atlantic) for three years and was frequently stretching his music outside of jazz. As the '70s advanced, Mann became much more involved in rock, pop, reggae, and even disco. After leaving Atlantic at the end of the '70s, Mann had his own label for awhile and gradually came back to jazz.
- (9)
A match made in heaven where Duane shows that he’s more than prepared for his time with Clapton and the Dominos that same summer. Herbie Mann - Push Push (July 1971) July of 1971 saw the appearance of the mythic At The Fillmore East by the Allman Brothers, the record that made them stars, but Duane wasn’t resting on his laurels.
From the album The Herbie Mann String Album, Atlantic #1490, Nov. 29, 1967. 2 PUSH PUSH (Herbie Mann) ASCAP HERBIE MANN: flute • RICHARD TEE: piano • DUANE ALLMAN (solo) & CORNELL DUPREE: guitar • CHUCK RAINEY: bass • BERNARD PURDIE: drums • RALPH MacDONALD: percussion.
The Evolution of Mann: The Herbie Mann Anthology Album Information. Release Date 1994. Duration 02:17:02
Oct 26, 2006 · "Push Push" is the title cut from another of Herbie's best recordings. It features the soulfull Richard Tee on piano and what would turn out to be Duane Allman's last recordings. "Hold I'm Comin'" is the only live cut. It was recorded at the 1972 New York Jazz Festival. During this period Herbie called his group "The Family of Mann."
- (9)
Jan 1, 1994 · This two-disc anthology doesn't cover Mann's bop or swing origins, instead concentrating on Mann's evolution from the 1960s to the 1990s. The first disc has more interest for jazz fans; it includes the influential "Memphis Underground" and "Coming Home Baby," showing his early flirtations with Latin and African music, as well as live workouts and Southern sessions.
