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Reception. Personnel. Style. References. For Everyman (song) " For Everyman " is a song written and performed by American singer-songwriter Jackson Browne. It is the title track to his second album For Everyman, released in 1973. Origin. Shortly after releasing his first album, Browne left Los Angeles where he'd grown up.
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History. For Everyman marked the debut of multi-instrumentalist David Lindley 's long association with Browne. Guest artists included David Crosby (harmony on the title track ), Glenn Frey (harmony on "Redneck Friend"), Elton John (credited as Rockaday Johnnie, piano on "Redneck Friend"), [2] Don Henley (harmony on "Colors of the Sun"), Joni ...
David Crosby sings harmony vocals on this song and played a big part in its inspiration. Browne explained in a radio interview: "A song like that had the potential to answer questions for myself. I was also very influenced by David Crosby. David had a boat and I was staying with him for a while on his boat.
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For Everyman marked the debut of multi-instrumentalist David Lindley ’s long association with Browne. Guest artists included David Crosby (harmony on the title track), Glenn Frey (harmony on “Redneck Friend”), Elton John (credited as Rockaday Johnnie, piano on “Redneck Friend”), Don Henley (harmony on “Colors of the Sun”), Joni ...
Apr 19, 2024 · (David Crosby sang harmony.) Musically, the album was still restrained, but not as austere as Jackson Browne, as the singer had hooked up with multi-instrumentalist David Lindley, who would introduce interesting textures to his music on a variety of stringed instruments for the next several years.
Asylum 5067. Released: November 1973. Chart Peak: #43. Certified Platinum: 5/16/89. The title track of Jackson Browne's second album, "For Everyman," was a response to the escapist vision of Crosby, Stills and Nash's "Wooden Ships." As violence, fear and paranoia overtook Sixties utopianism, "Wooden Ships" (written by Crosby and Stills, along ...
For Everyman. Remastered: 2024. For inwardly panoramic songwriting of an apocalyptic bent, Jackson Browne's second album is rivaled only by his first (the second one wins), and Jackson himself is rivaled by nobody.
