The Wild One
1954
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László Benedek (Hungarian pronunciation: [ˈlaːsloː ˈbɛnɛdɛk]; March 5, 1905 – March 11, 1992; sometimes Laslo Benedek) was a Hungarian-born film director and cinematographer, most notable for directing The Wild One (1953).
Laslo Benedek. Director: Death of a Salesman. Laslo Benedek was brought to Hollywood from Hungary--where he had been a writer, editor and photographer--by MGM, and his first few films were undistinguished programmers. His third, however, was quite a bit better: Death of a Salesman (1951), the screen version of Arthur Miller's classic play.
- January 1, 1
- Budapest, Austria-Hungary [now Hungary]
- January 1, 1
- The Bronx, New York City, New York, USA
English. The Wild One is a 1953 American crime film directed by László Benedek and produced by Stanley Kramer. The picture is most noted for the character of Johnny Strabler, portrayed by Marlon Brando, whose persona became a cultural icon of the 1950s. The Wild One is considered to be the original outlaw biker film, and the first to examine ...
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László Benedek (born in Budapest, Hungary March 5, 1905, died March 11, 1992) started his career in Europe as a cinematographer and film editor. In Hollywood, he directed movies like the film noir Port of New York (1949), Death of a Salesman (1951) with Fredrich March from the 1949 play by Arthur Miller, The Wild One (1953) with Marlon Brando ...
Mar 11, 1992 · László Benedek ( Hungarian pronunciation: [ ˈlaːsloː ˈbɛnɛdɛk]; March 5, 1905 – March 11, 1992; sometimes Laslo Benedek) was a Hungarian-born film director and cinematographer, most notable for directing The Wild One (1953).
László Benedek (Hungarian pronunciation: [ˈlaːsloː ˈbɛnɛdɛk]; March 5, 1905 – March 11, 1992; sometimes Laslo Benedek) was a Hungarian-born film director and cinematographer, most notable for directing The Wild One (1953). He gained recognition for his direction of the film version of Death of a Salesman (1951), for which he won the ...
Laslo Benedek. Director: Death of a Salesman. Laslo Benedek was brought to Hollywood from Hungary--where he had been a writer, editor and photographer--by MGM, and his first few films were undistinguished programmers. His third, however, was quite a bit better: Death of a Salesman (1951), the screen version of Arthur Miller's classic play.
