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  1. Aug 22, 2019 · Accomplished cinematographer, Julio Macat, whose work you’ve previously seen in movies like Home Alone, The Wedding Planner, Pitch Perfect, and A Walk to Remember, chatted with us about the...

  2. Dec 22, 2021 · December 22, 2021. Home Alone: Filming a Christmas Miracle. Julio Macat, ASC looks back on his camerawork in this holiday classic that became one of the highest-grossing comedies of all time. Tara Jenkins. American Cinematographer. Production photos courtesy of the cinematographer.

  3. www.rottentomatoes.com › celebrity › julio_macatJulio Macat | Rotten Tomatoes

    Julio Macat. Highest Rated: 82% Pitch Perfect (2012) Lowest Rated: Not Available. Birthday: Not Available. Birthplace: Buenos Aires, Argentina. The career of Julio Macat is a study in a...

  4. Dec 11, 2020 · 12.11.20 at 1:17 pm. Photo by L. Cohen/WireImage. Argentine cinematographer Julio Macat has worked behind the camera on several films during his 35-year career, but it’s the 1990 classic...

  5. Producer. Julio Macat is known as an Director of Photography, Camera Operator, Actor, Cinematography, Additional Photography, Producer, Assistant Camera, Lighting Camera, Second Unit Director of Photography, and First Assistant Camera. Some of his work includes Home Alone, Home Alone 2: Lost in New York, Pitch Perfect, Ace Ventura: Pet ...

  6. www.juliomacat.com › filmographyFILMOGRAPHY | Mysite

    FILMOGRAPHY | Mysite. JULIO MACAT, ASC. Director of Photography. Features: AFTER THE WEDDING - Independent - Bart Freundlich, director. Sundance Film Festival, World Premiere. LIFE OF THE PARTY - New Line Cinema - Ben Falcone, director. DADDY’S HOME TWO - Paramount Pictures - Sean Anders, director. THE BOSS - Universal Pictures - Ben Falcone ...

  7. www.wikiwand.com › en › Julio_MacatJulio Macat - Wikiwand

    Argentine-American cinematographer / From Wikipedia, the free encyclopedia. Can you list the top facts and stats about Julio Macat? Julio Macat, A.S.C. (born June 20, 1957) is an Argentine-American cinematographer.

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