The Leather Boys
1965
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Raymond Stross (22 May 1916 – 31 July 1988) was a British film producer. [1] [2] Early life and education. Stross was born on 22 May 1916 in Leeds. He was educated at Abingdon School from 1929 until 1933 and was a member of the second XV rugby team. [3] Film.
Raymond Stross was born on 22 May 1915 in Leeds, England, UK. He was a producer and director, known for The Very Edge (1963), An Alligator Named Daisy (1955) and Shoot First (1953). He was married to Anne Heywood. He died on 31 July 1988 in the UK.
Miss Heywood and Stross were visiting Chicago for the world premiere of their latest partnership; a gold-robbery adventure titled "Midas Run." Stross was frank about it: "It's not a profound message picture.
Oct 16, 2023 · Her first husband was Raymond Stross, a producer, with whom she had two children. She later married George Danzig Druke, a former Assistant Attorney General of New York State. Unlike most celebrity marriages that end in divorce, both of Anne’s husbands sadly passed away.
Heywood was married for twenty-eight years to British film producer Raymond Stross, who produced most of her films after they met in Ireland in July 1959 during the filming of A Terrible Beauty.
Aug 4, 1988 · Raymond Stross, a movie producer and director, died of heart disease Sunday at his home in Beverly Hills. He was 72 years old. Mr. Stross was born in Leeds, England, and owned a...
Aug 2, 1988 · Raymond Stross, the British-born producer who made a series of avant-garde films, many with sexual overtones and some starring his wife, died Sunday of the complications of heart disease.
Raymond Stross is known as an Producer, Presenter, and Story. Some of his work includes The Man Who Watched Trains Go By, The Mark, The Leather Boys, The Fox, The Angry Hills, Good Luck, Miss Wyckoff, An Alligator Named Daisy, and I Want What I Want.
Raymond Stross (* 22. Mai 1916 in Leeds, Vereinigtes Königreich; † 31. Juli 1988 in Beverly Hills, Kalifornien, Vereinigte Staaten) war ein britischer Filmproduzent und Kinobetreiber
Fourteen months we were trying to get someone to believe in that picture," Raymond Stross said. "We had our own money in it. All of our money. Everything except the house. And all the time people were telling us, make a Hollywood picture. Make a commercial picture. 'The Fox' will never make a dime."
