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Cinematography (Black-and-White) - Joseph Ruttenberg Best Motion Picture - Metro-Goldwyn-Mayer Writing (Screenplay) - John Van Druten, Walter Reisch, John L. Balderston
From 1939 to 1967 with the exception of 1957, there were also separate awards for color and black-and-white cinematography. After Who's Afraid of Virginia Woolf? (1966), the most recent black-and-white films to win since then are Schindler's List (1993), Roma (2018) and Mank (2020).
The 17th Academy Awards were held on March 15, 1945 at Grauman's Chinese Theatre, honoring the films of 1944. This was the first time the complete awards ceremony was broadcast nationally, on the Blue Network (later ABC Radio). Bob Hope hosted the 70-minute broadcast, which included film clips that required explanation for the radio audience.
Feb 5, 2014 · CINEMATOGRAPHY (Black-and-White) The Keys of the Kingdom – Arthur Miller The Lost Weekend – John F. Seitz Mildred Pierce – Ernest Haller The Picture of Dorian Gray – Harry Stradling Spellbound – George Barnes. CINEMATOGRAPHY (Color) Anchors Aweigh – Robert Planck, Charles Boyle Leave Her to Heaven – Leon Shamroy National Velvet ...
Mar 28, 2021 · By the 1940s, two full Academy Awards were given out for cinematography each year, divided into black & white and color. This would continue until 1967 when color and black & white films would finally be judged against each other for a single Best Achievement in Cinematography award.
Date of Ceremony: Thursday, March 15, 1945. For films released in: 1944. Host (s): John Cromwell and Bob Hope. Nominations List. Other years: < 16th. 18th > John Cromwell and Bob Hope shared the hosting duties when the 17th Annual Academy Awards were handed out at Grauman’s Chinese Theatre on Thursday, March 15, 1945.
1945: Black-and-White: Harry Stradling (The Picture of Dorian Gray); Color: Leon Shamroy (Leave Her to Heaven) 1946: Black-and-White: Arthur Miller ( Anna and the King of Siam ); Color: Charles Rosher, Leonard Smith, and Arthur Arling ( The Yearling )
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