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  1. en.wikipedia.org › wiki › His_HouseHis House - Wikipedia

    His House is a 2020 horror thriller film written and directed by Remi Weekes from a story by Felicity Evans and Toby Venables. It stars Wunmi Mosaku , Sope Dirisu and Matt Smith . The film tells the story of a refugee couple from South Sudan , struggling to adjust to their new life in an English town that has an evil lurking beneath the surface.

  2. www.imdb.com › name › nm3676311Remi Weekes - IMDb

    Remi Weekes is a British-Canadian filmmaker who has won a BAFTA Award and directed His House (2020), a horror film about a refugee couple. IMDb provides his biography, credits, awards, contact info and more.

    • Director, Writer, Editor
    • Remi Weekes
  3. Oct 30, 2020 · Remi Weekes directs and writes this drama horror film about a refugee couple facing a haunting in their new home in England. The film explores themes of racism, immigration, marriage and the horrors of war.

    • (49K)
    • Drama, Horror, Thriller
    • Remi Weekes
    • 2020-10-30
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  5. Oct 28, 2020 · Remi Weekes talks about his debut feature, His House, a haunted house movie with a social commentary on asylum seekers in the U.K. Learn how he blended scares and themes in his Netflix horror film.

  6. Apr 10, 2021 · Sat 10 Apr 2021 12.00 EDT. The British director Remi Weekes premiered his debut feature film His House to acclaim at the Sundance film festival in 2020. Earlier this year, the film won four...

    • 3 min
    • Killian Fox
  7. Oct 30, 2020 · Remi Weekes, the writer-director of His House, talks about his haunted house debut, migration, and nodding to The Shining. The film follows a couple who escape violence in South Sudan and face a sinister secret in their new home in the UK.

  8. Oct 21, 2020 · Remi Weekes, the director of the horror film His House, talks about her influences, craft and themes in this interview. She discusses the challenges of telling a story about refugees, the use of digital effects and the importance of reality bending in horror cinema.

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