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  1. Ponchielli: La Gioconda. Listen - Buy. Orchestra Sinfonica della RAI di Torino, Coro Cetra Antonino Votto. It was as Ponchielli’s long-suffering ballad singer, La Gioconda, that Callas made her Italian debut, in 1947 at the Arena di Verona, and it proved crucial to her career.

  2. Ponchielli: Gioconda/Callas, ’59. Robert Levine. Artistic Quality: 7. Sound Quality: 7. This recording, made in 1959, finds Maria Callas in dire vocal condition, with the wobble in prominence, the voice in three distinct parts with some squally top notes and booming, baritonal chest tones.

  3. Ponchielli: La Gioconda. Listen - Buy. Orchestra e Coro del Teatro alla Scala di Milano Antonino Votto. Callas’s second studio recording of La Gioconda was made in 1959, six years after her last stage performances of the role, which in 1947 has been the vehicle for her Italian debut (at the Arena di Verona). The recording came at a turning ...

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  5. Listen to Ponchielli: La Gioconda by Maria Callas, Coro del Teatro alla Scala di Milano, Fiorenza Cossotto, Irene Companeez, Antonino Votto, Orchestra del Teatro alla Scala di Milano, Pier Miranda Ferraro & Mario Borriello on Apple Music. 1997. 51 Songs. Duration: 2 hours, 46 minutes.

  6. Released on 1/1/59 by Warner Classics. Main artists: Maria Callas Orchestra Sinfonica di Torino della RAI Antonino Votto. Genre: Opera. Available in. 24-Bit/96 kHz Stereo. Unlimited Streaming. Digital Download. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $23.09. More info.

    • Maria Callas
  7. Ponchielli: La Gioconda (1959 - Votto) - Callas Remastered - Album by Maria Callas - Apple Music. Maria Callas. CLASSICAL · 1960. Preview. 1. La Gioconda: Prelude. Antonino Votto, Orchestra del Teatro alla Scala di Milano. 5:03. 2. La Gioconda, Act 1: "Feste e pane!" (Chorus, Barnaba)

  8. Sep 22, 2014 · Maria Callas. It was as Ponchielli’s long-suffering ballad singer, La Gioconda, that Callas made her Italian debut, in 1947 at the Arena di Verona, and it proved crucial to her career. Five years later, La Gioconda became her first studio recording of a complete opera.

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