Search results
Ventriloquism is the 12th studio album from Meshell Ndegeocello, released on March 16, 2018. The album covers eleven R&B and pop tracks originally recorded in the 1980s and 1990s. It was nominated for Best Urban Contemporary Album at the 2019 Grammy Awards.
No.TitleWriter(s)Original Artist(s)1.Lisa Lisa and Cult Jamfeaturing Full ...2.Albert BrownKyle West3.PrinceWendy & LisaPrince4.Marqueze EtheridgeLisa LopesOrganized ...- R&B Pop
Ventriloquism. Meshell Ndegeocello. 2018. 7.8. By Ivy Nelson. Genre: Pop/R&B. Label: Naïve. Reviewed: March 17, 2018. Tackling a range of R&B radio hits from the 1980s and 1990s, Meshell...
Review: Meshell Ndegeocello, 'Ventriloquism' The cover album becomes an unlikely site for deconstructing gender norms — and R&B's staid '80s tropes — in Ndegeocello's genre-bending care....
People also ask
What is ventriloquism by Meshell Ndegeocello?
Is Meshell Ndegeocello a room?
How many songs are on ventriloquism?
Mar 16, 2018 · As reworkings go, these are bold offerings – creative, unpredictable and rich with Ndegeocello’s sensual contralto. There is intention here, a subtle, transformative magic.
- Charlotte Richardson Andrews
Mar 16, 2018 · Ventriloquism. Naive Pop. Listen Below. My introduction to Meshell Ndegeocello came at 35,000 feet on a long haul flight from Melbourne to Los Angeles. Listening to one of the inflight radio programs, I came across her cover of “Who Is He (and What Is He to You)?” from her evocative 1996 album Peace Beyond Passion.
Mar 2, 2018 · Meshell Ndegeocello’s Ventriloquism turns commonly held conceptions of canon on their head. by Josh Hurst. March 2, 2018. Questions of identity loom large on Meshell Ndegeocello’s Ventriloquism, a collection of 11 cover songs, as the singer’s selections embody her allegiance to diversity, inclusion, and imagination.
Mar 22, 2018 · Review: Meshell Ndegeocello’s Ventriloquism Is the Rare Perfect Covers Album. Written by Thomas Inskeep | March 22, 2018 - 2:24 pm. In the 25 years since her Grammy-nominated debut album...
